Holdings Information

Bibliographic Record Display

• Title:Soundings : an exhibition in five parts / curated by Candice Hopkins and Dylan Robinson ; curatorial score by Dylan Robinson.
  
•    
• Other Contributors/Collections:Hopkins, Candace, contributor.
  Robinson, Dylan, contributor.
  Agnes Etherington Art Centre, issuing body, publisher, host institution.
  
• Published/Created:Kingston, Ontario : Agnes Etherington Art Centre, Queen's University, [2019]
  ©2019
  

• Holdings

  Holdings Record Display

  • Location:MAA LIBRARY (IKB) Canadian exhibitions (non-circulating)Where is this?
    
  • Call Number: M1470 .S68 2019
    
  • Number of Items:1
    
  • Status:Available
    

   
• Library of Congress Subjects:Aleatory music.
  Indigenous art--21st century--Exhibitions.
  Art, Modern--21st century--Exhibitions.
  
• Description:[18] postcards : illustrated, music ; 11 x 15 cm
  
• Summary:"How can a score be a call and tool for decolonization? Curated by Candice Hopkins and Dylan Robinson, Soundings: An Exhibition in Five Parts features newly commissioned scores, performances, videos, sculptures and sound by Indigenous and other artists who respond to this question. Unfolding in a sequence of five parts, the scores take the form of beadwork, videos, objects, graphic notation, historical belongings, and written instructions. During the exhibition these scores are activated at specific moments by musicians, dancers, performers and members of the public, gradually filling the gallery and surrounding public spaces with sound and action. The exhibition is cumulative, limning an ever-changing community of artworks, shared experience and engagement as it travels. Soundings shifts and evolves, gaining new artists and players in each location. Some artworks have multiple parts, others change to their own rhythm as the exhibition grows. At the core of the exhibition is a grounding in concepts of Indigenous land and territory. To move beyond the mere acknowledgement of land and territory here means offering instructions for sensing and listening to Indigenous histories that trouble the colonial imaginary. Soundings activates and asserts Indigenous resurgence through the actions these artworks call forth"--Agnes Etherington Art Centre website.
  
• Notes:Title from title postcard.
  This publication accompanies the exhibition Soundings : an exhibition in five parts, curated by Candice Hopkins and Dylan Robinson and presented at the Agnes Etherington Art Centre 5 January to 7 April 2019. This publication doubly functions a set of postcards, a set of scores, made by the artists featured in Soundings : Raven Chacon and Cristóbal Martínez, Sebastian de Line, Camille Georgeson-Usher, Cheryl L'Hirondelle, Kite, Tanya Lukin Linklater, Ogimaa Mikana, Peter Morin, Lisa C. Ravensbergen, Heidi Senungetuk, Olivia Whetung and Tania Willard.
  Graphic notation.
  
• ISBN:9781553394181
  1553394186
  
• Contents:American ledger (no. 1), 2018 / Raven Chacon
  Music score or map as if imagined by non-musicians, 2018 / Raven Chacon and Christóbal Martínez
  Walking ohénton karihwatéhkwen (walking + words before all else, 2018 / Sebastian de Line
  Through, in between oceans, 2018 / Camille Georgeson-Usher
  Hâw okâwimâwaskiy (Hello mother earth), 2018 / Cheryl L'Hirondelle
  Lakota-sys (L-sys), listener, 2018 / Kite
  Untitled (for a rain gut parka made and worn near the Mackenzie Delta, Northwest Territories, collected by the Hudsons' Bay Company in 1924), 2018 / Tanya Lukin Linklater
  Never stuck, 2018 / Ogimaa Mikana
  NDN love songs : a note for the musicians, 2018 / Peter Morin
  Wani'/Lost, 2018 / Lisa C. Ravensbergen
  Qutaanuaqtuit : dripping music, 2018 / Heidi Senungetuk
  Strata, 2018 / Olivia Whetung
  Surrounded/surrounding, 2018 / Tania Willard.