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• Title:Korean art from 1953 : collision, innovation, interaction / [edited by] Yeon Shim Chung, Sunjung Kim, Kimberly Chung, Keith B. Wagner.
  
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• Other Contributors/Collections:Chung, Yeon Shim, editor.
  Kim, Sŏn-jŏng (Curator), editor.
  Chung, Kimberly (Professor), editor.
  Wagner, Keith B., 1978- editor.
  
• Published/Created:London : Phaidon Press Limited, 2020.
  ©2020
  

• Holdings

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  • Location:MAA LIBRARY (IKB) stacksWhere is this?
    
  • Call Number: N7365 .K67 2020
    
  • Number of Items:1
    
  • Status:Available
    

   
• Library of Congress Subjects:Art, Korean--20th century.
  Art, Korean--21st century.
  
• Description:359 pages : illustrations (chiefly color) ; 30 cm
  
• Summary:The first comprehensive survey to explore the rich and complex history of contemporary Korean art - an incredibly timely topic. Starting with the armistice that divided the Korean Peninsula in 1953, this one-of-a-kind book spotlights the artistic movements and collectives that have flourished and evolved throughout Korean culture over the past seven decades - from the 1950s avant-garde through to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s, the lesser known North Korean art scene, and all the artists who have emerged to secure a place in the international art world.
  
• Notes:Includes bibliographical references and index.
  
• ISBN:9780714878331 hardcover
  0714878332 hardcover
  
• Contents:Part 1. The Korean Avant-Garde, Modernism and Modernity : 1953-1987
  Introduction
  Korean modern art and the conflicts of tradition and modernity, c. 1953
  Historicizing the avant-garde contexts in post-war Korea : From experimental arts to collective groups in the 1960s and 1970s
  Dansaekhwa : Aesthetics of Korean abstract painting
  Reality and utterance : In and against Minjung art
  Photography's crooked path : From state apparatus to the monument of democracy
  Modernity in North Korean art : Socialist realism, Joseonhwa and photography
  Part 2. From Postmodernism to Contemporaneity in Korea : 1988-Present
  The turn of the century : Art in Korea in the 1990s
  Postmodern new generation art in Korea
  The Gwangju Biennale, Busan Biennale and mediacity Seoul : Co-cultural aspirations and globalization in Korea
  The paradoxical place of the female body in Korean feminist art
  Contemporary Korean media art : Opening the space of in-between
  Dislocations / relocations : Contemporaneity in Korean art
  Interrogations of place : Korean American art in the late 1980s and 1990s
  Glossary
  Index
  Acknowledgements
  Biographies
  Credits.