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    The Oxford handbook of cinematic listening / edited by Carlo Cenciarelli.

    • Title:The Oxford handbook of cinematic listening / edited by Carlo Cenciarelli.
    •    
    • Other Contributors/Collections:Cenciarelli, Carlo.
      Oxford Handbooks Online
    • Published/Created:New York : Oxford University Press, 2021.
    • Holdings

      • Location:ONLINEWhere is this?
      • Call Number: ML2075
      • Number of Items:
        0
      • Status:No information available 
       
    • Library of Congress Subjects:Motion picture music--History and criticism.
      Film soundtracks--History and criticism.
      Listening.
    • Subject(s):Electronic books.
    • Description:1 online resource
    • Terms governing use:Access may be restricted to institutions with a site license.
    • Summary:"It has long been suggested that films have changed the way we listen, but cinema's contribution to broader listening cultures has only recently started to receive serious academic attention. Taking this issue as its central topic, The Oxford Handbook of Cinematic Listening explores-from philosophical, archival, empirical, and analytical perspectives-the genealogies of cinema's audiovisual practices, the relationship between film aesthetics and listening protocols, and the extension of cinematic modes of listening into other media and everyday situations. Featuring scholars from musicology, film studies and literary studies, ethnomusicology and sound studies, media and communications and psychology, this Handbook aims to foster new ways of thinking about the intersection between the history of listening and the history of the moving image. It offers a wealth of original case studies and novel perspectives that show how cinematic listening is constantly being redefined in relation to shifting historical, spatial, textual and theoretical frameworks"-- Provided by publisher.
    • Notes:Includes bibliographical references and index.
    • ISBN:9780190853617
    • Contents:The Possibilities of Cinematic Listening : An Introduction / Carlo Cenciarelli
      GENEALOGIES AND BEGINNINGS. "Deeds of Music" in Bourgeois Opera (What the Listener Sees . . . ) / Peter Franklin ; Hearing the Shadows at the Chat Noir's Pre-cinematic Theatre / Emilio Sala ; The Courtships of Ada and Len : Mediated Musicals and Vocal Caricature Before the Cinema / Jacob Smith ; The "Trickality" of Listening in Early Musical Trick Films / Julie Brown ; Cinematic Listening and the Early Talkie / James Buhler
      LOCATIONS AND RELOCATIONS. Historical Sound-Film Presentation and the Closed-Curtain Roadshow Overture / Ben Winters ; Tasteful Networks of Attention : Language, Listening, Meaning, and Art House Exhibition / Jocelyn Szczepaniak-Gillece ; The Atmosphere Was Entirely Good Humoured : The Cinema as a Venue for Live Music in Britain in the 1950s and 1960s / Simon Frith ; Out of the Frame : Live-Score Film Screenings and the Cinematic Experience / Jeremy Barham ; Leveraging a Long and Tuneful History : Perspectival Manipulation, Surround Sound, and Dolby Atmos / Meredith C. Ward
      REPRESENTATIONS AND RE-PRESENTATIONS. Making Sense of Noise and Silence in La Captive / Richard Dyer ; Hearing Hearing? Reflections on the Kubrickian Soundtrack / David J. Code ; Countercultural Listening in Malick's Badlands (1973) / Julie Hubbert ; Music Lovers : Listening in (and to) Composer Biopics / Guido Heldt ; Hi-Yo, Rossini : Hearing Pre-existing music as Post-existing Music / Jonathan Godsall ; "You Sorta Listen with Your Eyes" : How Audiences Talk about Film Music Martin Barker
      THE LISTENING BODY. Fist to Face : Corporeal Listening and the Cinematic Punch / Lisa Coulthard ; The Erotics of Cinematic Listening / Danijela Kulezic-Wilson ; Sensing Time and Space through the Soundtracks of Interstellar and Arrival / John Richardson, Anna-Elena Pääkkölä, Sanna Qvick ; Listening-Feeling-Becoming : Cinema Surveillance / Miguel Mera ; Sonic Elongation and Sonic Aporia: Two Modes of Disrupted Listening in Film / Holly Rogers ; The Trailer Ear : Constructions of Loudness in Cinematic Previews / James Deaville
      LISTENING AGAIN. Pop Music, Processing Fluency, and Pleasure : Film Songs as Both Hype and Memento / Jeff Smith ; Movie for Speakers : Queen's Flash Gordon and the Unified Soundtrack Album / Paul N. Reinsch ; If You Know Arabic, Indian Songs Are Easy For You : Hindi Film Songs in Tamale, Northern Ghana / Katie Young ; Hearing and Teaching Soundtracks as a Mother and a Daughter : A Personal, Feminist, Pedagogical Approach to Flux / Elsie Walker ; Hearing Film Music Topics outside the Movie Theatre : Listening Cinematically to Pastorals ; Janet Bourne ; Hearing Secondary Explosions : The Naudet Brothers' 9/11 and Audiovisual (A)synchronization in Twenty-First-Century Media / Randolph Jordan
      ACROSS MEDIA. Evolving Storylines and Patterns of Listening : The Case of Invasion at the Dawn of the Binge Age (2005-2006) / Robynn J. Stilwell ; Projections of Image on Sound : Reassessing the Relation between Music Video and Cinema / Mathias Bonde Korsgaard ; Listen Again : Music Video's Cinematic Soundscapes / Laurel Westrup ; Summon the Cinematic? Audio Mediation and Filmic Immersion in the Case of Remote Taipei / Ya-Feng Mon ; iPod Listening as an I-voice : Solitary Listeners and Imagined Interlocutors across Cinema and Personal Stereos / Carlo Cenciarelli ; Fantasias on a Theme by Walt Disney : Playful Listening and Video Games / Tim Summers ; Old(er) Media and New Musical Affordances in Virtual Reality Experiences / Michiel Kamp.
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