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    Modernism : an anthology of sources and documents / edited by Vassiliki Kolocotroni, Jane Goldman, and Olga Taxidou.

    • Title:Modernism : an anthology of sources and documents / edited by Vassiliki Kolocotroni, Jane Goldman, and Olga Taxidou.
    •    
    • Other Contributors/Collections:Kolocotroni, Vassiliki.
      Goldman, Jane, 1960-
      Taxidou, Olga.
    • Published/Created:Chicago : University of Chicago Press, 1998.
    • Holdings

       
    • Library of Congress Subjects:Literature--Philosophy.
      Modernism (Literature)
      Modernism (Art)
      Modernism (Aesthetics)
      Intellectual life--History--20th century.
      Art, Modern--20th century.
      Art, Modern--19th century.
      Aesthetics.
      History--Philosophy.
    • Genre/Form: Essays.
      Literary criticism.
      Personal correspondence.
      Manifestos.
    • Description:xx, 632 pages ; 26 cm
    • Summary:Publisher description: From Bauhaus to Dada, from Virginia Woolf to John Dos Passos, the Modernist movement revolutionized the way we perceive, portray, and participate in the world. This landmark anthology is a comprehensive documentary resource for the study of Modernism, bringing together more than 150 key essays, articles, manifestos, and other writings of the political and aesthetic avant-garde between 1840 and 1950.
    • Notes:Includes index.
      Includes bibliographical references and index.
    • ISBN:0226450732 (alk. paper)
      9780226450735 (alk. paper)
      0226450740 (pbk. : alk. paper)
      9780226450742 (pbk. : alk. paper)
    • Contents:From letter to Ruge, September 1843 / Karl Marx
      From The communist manifesto 1848 / Karl Marx and Friedrich Engels
      From 'Art and revolution' 1849 / Richard Wilhelm Wagner
      From The origin of species by means of natural selection 1859 / Charles Darwin
      From Mother right 1861 / Johann Jakob Bachofen
      From preface to Human, all too human 1878 / Friedrich Nietzsche
      From Degeneration 1883 / Max Nordau
      From 'Useful work versus useless toil' 1884 / William Morris
      From The secret doctrine 1888 / H.P.B. (Helena Petrova Blavatsky)
      From The golden bough 1890-1915 / J.G. Frazer
      From The crowd: a study of the popular mind 1895 / Gustave Le Bon
      From The theory of the leisure class 1899 / Thorstein Veblen
      From The education of Henry Adams 1907 / Henry Adams
      From The interpretation of dreams 1900 / Sigmund Freud
      From 'The metropolis and mental life; 1903 / Georg Simmel
      From Woman under socialism 1904 / August Bebel
      From The souls of black folk 1903 / W.E.B. Du Bois
      From Creative evolution 1907 / Henri Bergson
      From Abstraction and empathy 1908 / Wilhelm Worringer
      From 'Ornament and crime' 1908 / Adolf Loos
      'The good conduct medal' 1909 / Karl Kraus
      From 'Women's suffrage' 1911 / Millicent Garret Fawcett
      From The Freud journal of Lou Andreas-Salome 1912, 1913 / Lou Andreas-Salome
      From The decline of the west 1918-22 / Oswald Spengler. From review of Nathaniel Hawthorne's Twice-told tales 1842 / Edgar Allan Poe
      From preface to Leaves of grass 1955 / Walt Whitman
      From letter to Mlle Leroyer de Chantepie, 18 March 1857 / Gustave Flaubert
      From 'On the modern element in literature' 1857 / Matthew Arnold
      From 'The painter of modern life' 1959-60 / Charles Baudelaire
      From letter to Paul Demeny, 15 May 1871 / Arthur Rimbaud
      From Lectures on art 1870 ; From Arartra Pentelici 1872 / John Ruskin
      From conclusion to The renaissance (1873) 1893 / Walter Pater
      From preface to Miss Julie 1888 / August Stringberg
      Preface to The picture of Dorian Gray 1890 / Oscar Wilde
      'The science of fiction' 1891 / Thomas Hardy
      From 'Crisis in poetry' 1886-95 / Stephane Mallarme
      From 'Introduction to the method of Leonardo da Vinci' 1895 / Paul Valery
      'Prelimary address at the first performance of Ubu Roi, 10 December 1896' / Alfred Jarry
      From preface to The nigger of the 'narcissus' 1897 / Joseph Conrad
      From The symbolist movement in literature 1899 / Arthur Symons
      From 'The symbolism of poetry' 1900 / W.B. Yeats
      From 'Days of reading: I' 1905 / Marcel Proust
      From 'Henrik Ibsen: philosopher or poet' 1905 / William Archer
      From 'The art of fiction' 1894 ; From preface to The Princess Casamassima 1906 / Henry James
      From 'The actor and the Uber-marionette' 1907 / Edward Gordon Craig
      From My life 1927 / Isadora Duncan
      From The sanity of art 1908 / George Bernard Shaw. From Realist manifesto 1855 / Gustave Courbet
      From 'Naturalism on the stage' 1880 / Emile Zola
      'The post-impressionists' 1910 / Desmond MacCarthy
      From 'Romaniticism and classicism' 1911 / T.E. Hulme
      From The man-made world or our androcentric culture 1911 / Charlotte Perkins Gilman
      'The French group' 1912 / Roger Fry
      'The English group' 1912 / Clive Bell
      'Light' 1912 ; 'Notes on the construction of the reality of pure painting' 1912 / Robert Delaunay
      'The musician's day' 1913 ; 'Some notes on modern music' 1919 / Erik Satie
      From 'The cubist room ' 1914 / Wyndham Lewis
      From 'In these great times' 1914 / Karl Kraus
      From 'Zurich 1916, as it really was' 1928 / Richard Huelsenbeck
      'Art and the war: concerning an allied exhibition' 1916 ; Programme for Parade, 18 May 1917 / Guillaume Apollinaire
      'Marinetti the revolutionary' 1916 ; 'Theatre and cinema' 1921 / Antonio Gramsci
      From 'Art as technique' 1917 / Victor Shklovsky
      From Ten days that shook the world 1919 / John Reed
      'A member of the audience: storming the Winter Palace' 1920
      From The theory of the novel 1920 / Georg Lukacs
      From Literature and revolution 1923 / LeonTrotsky
      From 'Make way for the winged Eros' 1923 / Alexandra Kollontai
      From 'A Kino-eyed discussion' 1924 / Dziga Vertov
      'Suburbs' 1923 / Luis Bunuel
      From 'The reconstruction of the theatre' 1929 / Vsevolod Meyerhold
      From 'Basic principles of sociological drama' 1929 / Erwin Piscator. Futurism. 'The founding and manifesto of futurism 1909' ; 'The variety theatre; 1913 / Filippo Tommaso Marinetti
      'Why we paint ourselves: a futurist manifesto' 1913 / Ilya Zdanevich and Mikhail Larionov
      'Feiminist manifesto' 1914 / Mina Loy
      Cubism. From The cubist painter 1913 / Guillaume Apollinaire
      Imagism. Preface to Some imagist poets 1915
      Expressionism. From 'The problem of form' 1912 / Wassily Kandinsky
      Dada. From 'Dada manifesto, 1918' ; 'Note on art' 1917 ; 'Note on Negro art' 1917 / Tristan Tzara
      From Merz 1921 ; From 'Consistent poetry' 1924 ; 'To all the theatres of the world' 1926 / Kurt Schwitters
      From 'Art is in danger' 1925 / George Grosz with Wieland Hezfelde
      Vorticism. From Blast 1914
      Eccentricism. The eccentric manifesto 1922
      Constructivism. From Constructivism 1922 / Aleksei Gan
      'Constructivism and the proletariat' 1922 / Laszlo Moholy-Nagy
      Bauhaus. 'Manifesto of the Bauhaus, April 1919' / Walter Gropius
      From 'Economic living' 1924 / Annelise Fleischmann
      'The new typography; 1923 / Laszlo Moholy-Nagy
      Diary extract 1927 / Oscar Schlemmer
      Manifesto issued by the Syndicate of technical workers, painters and sculptors, Mexico City, 1922
      LEF manifesto 1923
      Surrealism. From The first manifesto of surrealism 1924 / Andre Breton
      Transition. 'Suggestions for a new magic' 1927 ; 'Proclamation' 1929 / Eugene Jolas
      Anarchism. From The ABC of anarchism 1929 / Alexander Berkman. From 'England's nest of singing birds' 1915 / (Margaret) Storm Jameson
      From 'On impressionism' 1914 / Ford Madox Ford
      From 'I am.' 1915 / Dora Marsden
      From 'Notes on sensationalism' 1916 / Fernando Pessoa
      From 'Against American literature ' 1916 / John Dos Passos
      From 'Anima hominis' 1917 / W.B. Yeats
      From preface to Tendencies in modernist poetry 1917 / Amy Lowell
      From prologue to Kora in hell 1918 / William Calos Williams
      From a review of Pilgrimage 1918 / May Sinclair
      From 'What is modern?' 1918 / Edwin Muir
      From 'The poetry of C.P. Cavafy' 1919 / E.M. Forster
      From reviews for the Athenaeum 1919 ; From letters to John Middleton Murry 1919 / Katherine Mansfield
      From Diaries 1918, 1919, 1920 / Thomas Mann
      From 'Tradition and the individual talent' 1919 ; From 'Ulysses, order, and myth' 1923 / T.S. Eliot
      From 'A retrospect' 1918 ; From preface to Remy de Gourmont's The natural philosophy of love 1926 / Ezra Pound
      From 'Notes on thought and vision' 1919 / H.D. (Hilda Doolittle)
      From 'Warsaw' 1922 / Alfred Doblin
      'Recent German poetry' 1922 / Herman Hesse
      'The moment: summer's night' 1927 ; From 'Mr. Bennett and Mrs. Brown' 1924 ; From 'Modern fiction' 1919 / Virginia Woolf
      Letter to Harriet Shaw Weaver, 15 August 1925 / James Joyce
      From 'The influence of Mr. James Joyce' 1921 / Richard Aldington
      From 'Ulysses: ein monolog' 1932 / Carl Jung
      From James Joyce and the making of 'Ulysses' 1934 / Frank Budgen
      Letter to A.W. McLeod, 2 June 1914 ; From letter to Edward Garnett, 5 June 1914 ; From preface to the American edition of New poems 1929 / D.H. Lawrence
      From introduction to The new Negro 1925 / Alain Locke
      From 'The Negro artist and the racial mountain' 1926 / Langston Hughes
      From 'Composition as explanation' 1926 / Gertrude Stein
      From 'English ascendancy in British literature' 1931 / Hugh MacDiarmid
      'New poetry since 1912' 1926 / Marianne Moore
      From Modernist poetry 1926 / Robert Graves and Laura (Riding) Jackson
      From 'Echoes of the Jazz age' 1931 / F. Scott Fitzgerald
      From Being Geniuses together 1920-1930 1938 / Robert McAlmon
      'A litter to Mr. James Joyce' 1929 / Vladimir Dixon
      From 'Dante ... Bruno . Vico . . Joyce' 1929 ; From Proust 1931 / Samuel Beckett. From 'The mass ornament' 1927 / Siegfried Kracauer
      From 'The state of contemporary social philosophy and the tasks of an institute for social research' 1931 / Max Horkheimer
      From 'The modern theatre is the epic theatre' 1930 / Bertolt Brecht
      'Theater and cruelty' 1933 / Antonin Artaud
      From 'The dissection of the psychical personality' 1933 / Sigmund Freud
      'Some notes on violence' 1932 ; 'Some notes on Miss L.' 1933 / Nathanael West
      From The word 'woman' 1934-35 / Laura (Riding) Jackson
      Foreword to Pilgrimage 1938 / Dorothy M. Richardson
      From A hope for poetry 1934 / Cecil Day Lewis
      From The use of poetry and the use of criticism 1933 / T.S. Eliot
      From 'Prefatio aut cimicium tumulus' 1933 / Ezra Pound
      From New bearings in English poetry 1932 / F.R. Leavis
      Review of leavis et al. 1933 ; From introduction to The poet's tongue 1935 / W.H. Auden
      From introduction to The Oxford book of modern verse 1892-1935 1936 / W.B. Yeats
      From introduction to The Faber book of modern verse 1936 / Michael Roberts
      From 'The irrational element in poetry' 1936 / Wallace Stevens
      From The strange death of liberal England 1935 / George Dangerfield
      From speech at the first all-union congress of Soviet writers 1934 / Andrei Zhdanov
      From 'What is revolutionary art?' 1935 / Herbert Read
      'All art is propanganda' 1935 / Eric Gill
      From 'The writers take sides' 1935 / Christina Stead
      'Note', A Scots quair 1932-34 / Lewis Grassic Gibbon
      From 'Lewis Grassic Gibbon' 1935-36 / James Barke
      'Scotland a nation' 1935-36
      From 'Recent problems of revolutonary literature' 1935 / William Phillips and Philip Rahv
      'The writer as technician' 1935 / John Dos Passos
      From 'Left?' 1933-34 / John Cornford
      From 'A dialectic approach to film form' 1929 / Sergei Eisensein
      From 'Documents' 1937 / Storm Jameson
      From speech inaugurating the 'Great exhibition of German art', Munich 1937 / Adolf Hitler
      From 'Surrealism: the last snapshot of the Eruopean intelligentsia' 1929 ; From 'The work of art in the age of mechanical reproduction' 1936 / Walter Benjamin
      From letter to Walter Benjamin, 18 March 1936 ; From 'On the fetish character in music and the regression of listening' 1938 / Theodor Adorno
      From 'Realism in the balance ' 1938 / Georg Lukacs
      From The principle of hope 1938-47 / Ernst Bloch
      From 'Letter from the front line in Spain' 1938 / David Alfaro Siqueiros
      'Manifesto: towards a free revolutionary art' 1938 / Andre Breton, Leon Trotsky and Diego Rivera
      From 'Inquiry into the spirit and language of the night' 1938 / Eugene Jolas et al.
      From 'Inside the whale' 1933 / George Orwell
      From 'The leaning tower' 1940 / Virfginia Woolf
      From 'How "Bigger" was born' 1940 / Richard Wright.
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