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    China, transnational visuality, global postmodernity / Sheldon H. Lu.

    • Title:China, transnational visuality, global postmodernity / Sheldon H. Lu.
    •    
    • Author/Creator:Lu, Sheldon H.
    • Published/Created:Stanford, Calif. : Stanford University Press, 2001.
    • Holdings

       
    • Library of Congress Subjects:Postmodernism--China.
      Popular culture--China.
      China--Civilization--1976-2002.
      China--Civilization--2002-
    • Description:xv, 321 p. : illustrations.
    • Notes:Includes bibliographical references and index.
    • ISBN:0804742049 (pbk. : alk. paper)
      0804738963 (alk. paper)
    • Contents:Introduction: Postmodernity, Visuality, and China in the Late Twentieth Century
      Pt. I. Theory, Criticism, Intellectual History. 1. Intellectuals in Transition: The Academy, the Public Sphere, and Postmodern Politics. 2. Universality/Difference: The Discourses of Chinese Modernity, Postmodernity, and Postcoloniality. 3. Theory and Criticism: Economic Globalization, Cultural Nationalism, Intellectual Identity
      Pt. II. Cinema. 4. Ermo: Televisuality, Capital, and the Global Village / Anne T. Ciecko and Hsiao-peng Lu. 5. Diaspora, Citizenship, Nationality: Hong Kong and 1997. 6. The Heroic Trio: Anita Mui, Maggie Cheung, Michelle Yeoh - Self Reflexivity and the Globalization of the Hong Kong Action Heroine / Anne T. Ciecko and Hsiao-peng Lu
      Pt. III. Avant-Garde Art. 7. Postmodernism and Cultural Identity in Chinese Art. 8. The Uses of China in Avant-Garde Art: Beyond Orientalism
      Pt. IV. Popular Culture, Television Drama, Literature. 9. Popular Culture: Toward a Historical and Dialectical Method. 10. Soap Opera: The Transnational Politics of Visuality, Sexuality, and Masculinity. 11. Literature: Intellectuals in the Ruined Metropolis at the Fin de Siecle
      Postscript: 1999.
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