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    Art and social change : a critical reader / edited by Will Bradley and Charles Esche.

    • Title:Art and social change : a critical reader / edited by Will Bradley and Charles Esche.
    •    
    • Other Contributors/Collections:Bradley, Will, 1968-
      Esche, Charles.
    • Published/Created:London : Tate Publishing : In association with Afterall ; New York : Distributed in the United States and Canada by Harry N. Abrams, 2007.
    • Holdings

       
    • Library of Congress Subjects:Art and society--History--20th century.
    • Description:479 p. : ill. (some col.) ; 25 cm.
    • Notes:Includes bibliographical references (pages 474-477) and index.
    • ISBN:1854376268 (pbk.)
      9781854376268 (pbk.)
    • Contents:Preface / Charles Esche
      Introduction / Will Bradley
      Part I - 1871
      Letters, October 1870-April 1871 / Gustave Courbet
      Socialism from the Root Up / William Morris and E. Belfort Bax
      Socialist Ideal: Art / William Morris
      War in Paterson / John Reed
      Part II - 1917
      En Avant DADA: A History of Dadaism / Richard Huelsenbeck
      Programme Declaration / Komfut
      General Theory of Constructivism / Varvara Stepanova
      Art and Propaganda / William Pickens
      End of Art / Theo van Doesburg
      Art and Reality / Mieczyslaw Szczuka
      Draft Manifesto / The John Reed Club of New York
      Open the Prisons! Disband the Army! / The Surrealist Group
      Revolution Now and Forever! / The Surrealist Group
      Cannibalist Manifesto / Oswald De Andrade
      Deutschland Deutschland Uber Alles / Kurt Tucholsky and John Heartfield
      Bauhaus no.3, The Students' Voice / KOSTUFRA
      Fall of Hannes Meyer / KOSTUFRA
      Letter, August 1936 / Felicia Browne
      We Ask Your Attention / British Surrealist Group
      Vision in Motion / Laszlo Moholy-Nagy
      Part III - 1968
      Theses on the Paris Commune Situatlonist International / Guy Debord, Attila Kotanyi and Raoul Vaneigem
      Response to a Questionnaire from the Center for Socio-Experimental Art Situationist International / J. V. Martin, Jan Strijbosch, Raoul Vaneigem and Rene Vienet
      Statement / Black Mask
      Art and Revolution / Black Mask
      We Propose a Cultural Exchange / Black Mask
      Psychedelic Manifesto / Sture Johannesson
      Hopes for Great Happenings / Albert Hunt
      Guerrilla Theatre / Ronald G. Davis
      Trip Without a Ticket / The San Francisco Diggers
      Post-Competitive, Comparative Game of a Free City / The San Francisco Diggers
      'Experience 68' / The Avant-Garde Artists Group
      Tucuman Arde / The Avant-Garde Artists Group
      Posters from the Revolution, Paris, May 1968 / Atelier Populaire
      Position Paper no. 1: On Revolutionary Art / Emory Douglas
      Art for the Peoples Sake / Emory Douglas
      Letter, April 1968 / Hans Haacke
      Manifesto for the Guerrilla Art Action Group / Guerrilla Art Action Group
      Call for the Immediate Resignation of All the Rockefellers from the Board of Trustees of the Museum of Modern Art / Guerrilla Art Action Group
      Letter to Richard M. Nixon / Guerrilla Art Action Group
      Insertions into Ideological Circuits, 1970-75 / Cildo Meireles
      Radical Software, vol.1 no.1, The Alternate Television Movement / Phyllis Gershuny and Beryl Korot
      Videosphere / Gene Youngblood
      Cybernetic Guerrilla Warfare / Paul Ryan
      Proclamation of the Orange Free State / The Kabouters
      Call to the Artists of Latin America
      Women's Art: A Manifesto / Valie Export
      Notes on Street Art by the Brigadas / Ramona Parra and 'Mone' Gonzalez
      Resolutions of the Third World Filmmakers Meeting In Algiers
      Press Release, September 1976 / Solvognen
      Invisible Theatre / Augusto Boal
      For Self-Management Art / Zoran Popovic
      Sword is Mightier than the Swede? / Sture Johannesson
      Position Paper: Crossroads Community (The Farm) / Bonnie Sherk
      Art Hysterical Notions of Progress and Culture / Valerie Jaudon and Joyce Kozloff
      Ideology, Confrontation and Political Self-Awareness / Adrian Piper
      Docklands Photo-Murals / Peter Dunn and Lorraine Leeson
      Dispatches from an Unofficial War Artist / Peter Kennard
      Ten Items of the Covenant / Laibach
      Flyer for the Rev-Revue of Soc-Fashion / Orange Alternative
      Operating Manual for Leszek MAJ / Orange Alternative
      Part IV - 1989
      Geometric Retroabstraction / Desiderio Navarro
      Border Art Workshop/Taller De Arte Fronterizo / Guillermo Gomez-Pena, Emily Hicks and Coco Fusco
      Presentation Gran Fury / Tom Kalin, Michael Nesline and John Lindell
      Rebellion on Level p / Christoph Schafer and Cathy Skene / The Hafenrandverein
      Popotla / RevArte
      Statement by the Feminist Artist / Collective Ip Gim
      How To? / Tiqqun
      Politicising Sadness / Colectivo Situaciones
      Mayan Technologies and the Theory of Electronic Civil Disobedience / Ricardo Dominguez, Benjamin Shepard and Stephen Duncombe
      Articulation of Protest / Hito Steyerl
      Concise Lexicon of/for the Digital Commons / Raqs Media Collective
      Revenge of the Concept: Artistic Exchanges, Networked Resistance / Brian Holmes
      Drifting Producers / Jeon Yongseok
      There is no alternative: The Future is Self-Organised / Stephan Dillemuth, Anthony Davies and Jakob Jakobsen
      PART V - Commissioned Essays
      Many ANDs of Art and Revolution / Gerald Raunig
      Rebuilding the Art of the People / John Milner
      Time Capsule / Lucy R. Lippard
      Secular Artist, Citizen Artist / Geeta Kapur
      Selling the Air: Notes on Art and the Desire for Social Change in Tehran / Tirdad Zolghadr
      Line Describing A Curb Asymptotes about VALIE EXPORT, the New Urbanism and Contemporary Art / Marina Vishmidt.
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