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    Graduate review of tonal theory : a recasting of common-practice harmony, form, and counterpoint / Steven G. Laitz, Christopher Bartlette.

    • Title:Graduate review of tonal theory : a recasting of common-practice harmony, form, and counterpoint / Steven G. Laitz, Christopher Bartlette.
    •    
    • Author/Creator:Laitz, Steven G. (Steven Geoffrey)
    • Other Contributors/Collections:Bartlette, Christopher A.
    • Published/Created:New York : Oxford University Press, 2010.
    • Holdings

       
    • Library of Congress Subjects:Music theory.
      Harmony.
      Counterpoint.
      Musical form.
    • Description:xiv, 270 p. : ill., music ; 26 cm. + 1 DVD-ROM (4 3/4 in.)
    • Notes:Includes index.
    • ISBN:9780195376982 (cloth : alk. paper)
      0195376986 (cloth : alk. paper)
    • Contents:Pt. 1. Contextualizing Theory and Analysis: Fundamentals
      Ch. 1. Musical Time and Space
      Ch. 2. Harnessing Musical Time and Space
      Ch. 3. Making Choices: When Harmony, Melody, and Rhythm Merge
      Pt. 2. Diatonic Harmony: Functions, Expansions, and the Phrase Model
      Ch. 4. Composition and Analysis: Using I, V, and V7
      Ch. 5. Contrapuntal Expansions of Tonic and Dominant
      Ch. 6. Pre-Dominant, Phrase Model, and Additional Embellishments
      Pt. 3. Elaborating the Phrase Model and Combining Phrases
      Ch. 7. Six-Four Chords, Non-Dominant Seventh Chords, and Refining the Phrase Model
      Ch. 8. Submediant and Mediant Harmonies
      Ch. 9. Period, Double Period, and Sentence
      Ch. 10. Harmonic Sequences: Concepts and Patterns
      Pt. 4. Chromaticism and Larger Forms
      Ch. 11. Applied Chords and Tonicization
      Ch. 13. Expressive Chromaticism: Modal Mixture and Chromatic Modulation
      Ch. 14. Neapolitan and Augmented Sixth Chords
      Ch. 15. Ternary and Sonata Forms
      Appendix. Additional Formal Procedures
      Subphrases and composite phrases
      Variation techniques
      Ternary form and the nineteenth-century character piece
      Rondo
      Further characteristics of sonata form.
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