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Bibliographic Record Display

• Title:Euripides and the language of craft / by Mary Stieber.
  
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• Author/Creator:Stieber, Mary C. (Mary Clorinda)
  
• Published/Created:Leiden ; Boston : Brill, 2011.
  

• Holdings

  Holdings Record Display

  • Location:KOERNER LIBRARY stacks (Floor 1)Where is this?
    
  • Call Number: PA3992 .S75 2011
    
  • Number of Items:1
    
  • Status:Available
    

   
• Library of Congress Subjects: Euripides--Literary style.
  Euripides--Language.
  Euripides--Art.
  Ευριπίδης, π. 480-406 π.Χ--Τέχνη.
  Visual perception in literature.
  Allusions in literature.
  
• Description:xxvi, 494 pages ; 25 cm.
  
• Series:Mnemosyne, bibliotheca classica Batava. Supplementum. Monographs on Greek and Roman language and literature ; v. 327.
  
• Notes:Includes bibliographical references and index.
  
• ISBN:9789004189065 (hardback : alk. paper)
  9004189068 (hardback : alk. paper)
  
• Contents:Machine generated contents note: ch. One Architecture
  Introduction
  The Topography of the City
  Walls
  The Language of Architecture
  Foundations
  Columns and Supporting Members
  Superstructures
  & tau;o & iota; & Chi;o & sigma;/ & tau; & epsilon; & iota; & Chi;o & sigma;
  "Cyclopean" Masonry
  & pi; & upsilon;o & gamma;o & omega;)
  Conclusion
  ch. Two Sculpture
  Introduction
  & alpha; & gamma; & alpha; & lambda; & mu; & alpha; and & alpha; & gamma; & alpha; & lambda; & mu; & alpha; & tau; & alpha;
  The Aesthetics of Statuary
  Her Living Image
  Wiped Clean
  A Crown of Glory
  The Wooden Horse
  Conclusion
  ch. Three Painting
  Introduction
  Landscape in Phaethon's "Dawn-song"
  Polyxena, Again
  Paintings as Instructors
  Further Technical Developments
  Vase-painting
  The Portrayal of Character
  Ganymede
  Conclusion. Ch. Four Ion
  Introduction
  Ion and the Acropolis
  The Ekphrasis of the Parodos
  The Tent
  The Art of Weaving
  The Peplos
  Many-colored Threads
  Weaving Metaphors
  Conclusion
  ch. Five A Practiced Hand
  Introduction
  In the Studio
  The Language of Art Criticism
  & alpha; & Chi; & eta; & mu; & alpha;
  o & nu; & upsilon; & mu;o & sigma;/ & epsilon; & upsilon; & upsilon; & mu; & omega; & sigma;
  & iota;o & delta; & epsilon; & alpha;
  & pi; & alpha;o & alpha; & delta; & epsilon; & iota; & gamma; & mu; & alpha;
  & tau; & upsilon; & pi;o & sigma;
  & chi; & alpha; & nu; & omega; and & sigma; & tau; & alpha; & upsilon; & mu; & eta;
  & mu; & iota; & mu; & eta; & mu; & alpha; and & mu; & iota; & mu; & epsilon;o & mu; & alpha; & iota;
  Wonderworking
  The Hand That is & Sigma;o & phi;o & sigma;
  Conclusion.