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• Title:The essential Sopranos reader / edited by David Lavery, Douglas L. Howard, and Paul Levinson ; foreword by David Bianculli.
  
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• Other Contributors/Collections:Lavery, David, 1949-
  Howard, Douglas L., 1966-
  Levinson, Paul.
  Project Muse University Press eBooks
  
• Published/Created:Lexington : University Press of Kentucky, ©2011.
  

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  • Location:ONLINEWhere is this?
    
  • Call Number: PN1992.77.S66
    
  • Number of Items:
    0
  • Status:No information available 

   
• Subject(s):Sopranos (Television program)
  Electronic books.
  
• Description:1 online resource
  
• Series:Essential readers in contemporary media and culture.
  
• Terms governing use:Access may be restricted to institutions with a site license.
  
• Notes:Includes bibliographical references and index.
  
• ISBN:9780813130125
  0813130123
  9780813130149
  081313014X
  
• Contents:Introduction
  The Sopranos, David Chase, HBO, and television. The Sopranos as tipping point in the second coming of HBO / Gary R. Edgerton
  From made men to Mad men: what Matthew Weiner learned from David Chase / David Lavery
  The Sopranos: if nothing Is real, you have overpaid for your carpet / Martha P. Nochimson
  Author(iz)ing Chase / Robin Nelson
  Characters. "Half a wiseguy": Paulie Walnuts, meet Tom Stoppard / Paul Wright
  Christopher, Osama, and A.J.: contemporary narcissism and terrorism in The Sopranos / Jason Jacobs
  "When it comes to daughters, all bets are off": the seductive father-daughter relationship of Tony and Meadow Soprano / Marisa Carroll
  Gendering The Sopranos. "Blabbermouth cunts", or, speaking in tongues: narrative crises for women in The Sopranos and feminist dilemmas / Kim Akass and Janet McCabe
  Honoring the social compact: the last temptation of Melfi / Nancy McGuire Roche
  A "finook" in the crew: Vito Spatafore, The Sopranos, and the queering of the Mafia genre / George De Stefano
  Cinematic Concerns. The producers: the dangers of filmmaking in The Sopranos / Cameron Golden
  Comfortably numb? The Sopranos, new brutalism, and the last temptation of Chris / Glen Creeber
  Dreams and therapy. fishes and football coaches: the narrative necessity of dreams in the sopranos / Cynthia Burkhead
  From here to InFinnerty: Tony Soprano and the American Way / Terri Carney
  "Whatever Happened to Stop and Smell the Roses?": The Sopranos as anti-therapeutic narrative / David Pattie
  Ethnic and Social Concerns. Mangia Mafia! food, punishment, and cultural identity in The Sopranos / Michael M. Grynbaum
  The guinea as tragic hero: the complex representation of Italian Americans in The Sopranos / Frank P. Tomasulo
  "All Caucasians look alike": dreams of whiteness at the end of The Sopranos / Christopher Kocela
  Images of justice and The Sopranos. Representations of law and justice in The Sopranos: an introduction / Barbara Villez
  Lawyer-client relations as seen in The Sopranos / James M. Keneally
  "This isn't a negotiation": "getting to yes" with Tony Soprano / Sharon Sutherland and Sarah Swan
  The price of stereotype: the representation of the Mafia in Italy and the United States in The Sopranos / Antonio Ingroia
  The image of justice in The Sopranos / Fabio Licata
  Narrative and intertextuality. "Funny about God, and fate, and shit like that": the imminent unexpected in The Sopranos / Robert Piluso
  The Sopranos and history / Albert Auster
  Silence in The Sopranos / Steven Peacock
  Cut to black: the finale and the Sopranos legacy. "What's different between you and me": Carmela, the audience, and the end / Joseph S. Walker
  Unpredictable but inevitable: that last scene /
  Maurice yacowar
  no justice for all: the fbi, cut to black, and david chase's final hit / Douglas L. Howard
  The Sopranos and the closure junkies / Paul Levinson.