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The fourth dimension and non-Euclidean geometry in modern art / Linda Dalrymple Henderson.
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Title:The fourth dimension and non-Euclidean geometry in modern art / Linda Dalrymple Henderson.
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Author/Creator:Henderson, Linda Dalrymple, 1948-
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Published/Created:Cambridge, Massachusetts : The MIT Press, [2013]
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Holdings
Holdings Record Display
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Location:MAA LIBRARY (IKB) stacksWhere is this?
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Call Number: N6490 .H44 2013
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Number of Items:1
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Status:Available
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Location:OKANAGAN LIBRARY stacksWhere is this?
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Call Number: N6490 .H44 2013
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Number of Items:1
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Status:Available
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Location:MAA LIBRARY (IKB) stacksWhere is this?
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Library of Congress Subjects:Art, Modern--20th century--Themes, motives.
Fourth dimension.
Geometry in art.
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Edition:Revised edition.
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Description:xxvii, 729 pages : illustrations ; 24 cm.
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Series:Leonardo book series.
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Notes:Includes bibliographical references and indexes.
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ISBN:9780262582445 (hardcover : alk. paper)
0262582449 (hardcover : alk. paper)
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Contents:Reintroduction
View from the twenty-first century
Augmenting a 1983 history of the fourth dimension in culture and art (1900-1950)
X-rays and ether physics as the context for the "fourth dimension"
Stuart Davis and four-dimensional space-time in the era of Einstein
The fourth dimension 1950-2000: an overview
"Keepers of the flame" of the fourth dimension: László́ Moholy-Nagy, Marcel Duchanmp, and Buckminster Fuller
Popular literature on the fourth dimension in the 1950s-1960s , including the writings of Martin Gardner
American artists' responses to the spatial fourth dimension in the 1960s: Robert Smithson and the Park Place Gallery Group
Vehicles for the spatial fourth dimension in the 1970s and 1980s: expanded cinema and new media; computer graphics and string theory
The 1970s through the 1990s: the four-dimensional art of Tony Robbin
The 1990s: from hyperspace to cyberspace and Marco Novak's digital architecture; new developments in string theory
Concluding thoughts
Introduction
1. The Nineteenth-Century background
Non-Euclidean geometry
The geometry of n dimensions
The rise of popular interest in the new geometries
2. Cubism and the new geometries
Paris 1900-1912: the fourth dimension and non-Euclidean geometry in popular literature
The visual tradition of "the fourth dimension
Chronology of events
The fourth dimension and non-Euclidean geometry in Cubist theory and practice
An alternative view among the Cubists: the Theosophist Kupka
Boccioni's Italian futurist critique of Cubism's fourth dimension
3. Marcel Duchamp and the new geometries
Duchamp's introduction to n-dimensional and non-Euclidean geometry
The large glass
The notes in A l'infinitif
Later works
4. The fourth dimension and non-Euclidean Geometry in America
Max Weber
Gelett Burgess
Claude Bragdon
New York 1913 and the Armony Show
Wartime New York: Duchamp and the Arensberg Circle
The 1920s
5. Transcending the present: the fourth dimension in the philosophy of Ouspensky and in Russian futurism and suprematism
The secondary role of non-Euclidean geometry and relativity theory before the revolution
Hyperspace philosophy in Russia: Peter Demianovich Ouspensky
Early Russian futurism and Larionov's Rayonism
The fourth dimension in Russian futurist philosophy: Matyushin and Kruchenykh
The fourth dimension in the art of Malevich
The 1920s: El Lissitzky and others
6. The new geometries during World War I and the postwar period in France and Holland: reevaluation and transformation
The wartime debate: Severini and Ozenfant
Early De Stijl and the fourth dimension
The popularization of the theory of relativity in France
Van Doesburg's pursuit of an art for the world of space-time
Art and relativity in the 1920s: an overview
Conclusion: The new geometries in art and theory 1900-1930
The fourth dimension and non-Euclidean geometry in art and theory since 1930
Appendix A: The question of Cubism and relativity
Appendix B: American articles propularizing the new geometries, 1877-1920
Appendix C: Of the book by Gleizes and Metzinger Du Cubisme.