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Bibliographic Record Display

• Title:Timing : on the temporal dimension of exhibiting / Beatrice von Bismarck [and four others], (eds.).
  
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• Other Contributors/Collections:Bismarck, Beatrice von, editor.
  
• Published/Created:Berlin : Sternberg Press ; Leipzig : Kulturen des Kuratorischen an der Hochschule für Grafik und Buchkunst, [2014]
  

• Holdings

  Holdings Record Display

  • Location:MAA LIBRARY (IKB) stacksWhere is this?
    
  • Call Number: N4395 .T56 2014
    
  • Number of Items:1
    
  • Status:Available
    

   
• Library of Congress Subjects:Exhibitions--Congresses.
  Time and art--Congresses.
  Curatorship--Congresses.
  
• Genre/Form: Conference papers and proceedings.
  
• Description:325 pages : illustrations ; 21 cm
  
• Series:Cultures of the curatorial ; [2].
  
• Summary:Processuality and performativity, and more recently dramaturgy and choreography, are terms often used in analyses of exhibitions and other curatorial formats. These attributions reflect the changes curatorial practice has undergone over the past twenty years in the wider context of cultural and economic globalization and the related notions of acceleration, action orientation, and mobility. In this light, the exhibition manifests itself as a transdisciplinary and transcultural set of spatiotemporal relations, which is time-based by its very nature. Focusing on time instead of the typically predominant category of space, this publication the second volume in the Cultures of the Curatorial series takes up the key aesthetic, social, political, and economic issues of the early twenty-first century running through the field and framed by the axes of exhibiting and the temporal.
  
• Notes:Based on the conference held at the Hochschule für Grafik und Buchkunst, Leipzig, January 19-21, 2012.
  Includes bibliographical references.
  
• ISBN:9783943365993 (pbk.)
  3943365999 (pbk.)
  
• Contents:I. Temporalities. Introduction / Beatrice von Bismarck, Rike Frank, Benjamin Meyer-Krahmer, Jörn Schafaff, Thomas Weski
  Art as capital
  Art as service
  Art as industry: Timing art in capitalism / Kerstin Stakemeier
  Clock work / Bennett Simpson
  The times of reenactment: From minimalism to time-based media / Maria Muhle
  II. Timing of exhibitions. Plans are nothing
  Planning is everything: Productive misunderstanding of time / Nikolaus Hirsch
  Universality without a universal subject: On the possibilities of time in the contemporary group exhibition / Bassam El Baroni
  Timing as curatorial instrument: Ydessa Hendeles's "Partners" (2003) / Thomas Weski
  The "Phalanstère Project" at CAC Brétigny, or "De l'orgie de musée ou omnigamie mixte en ordre composé et harmonique / Pierre Bal-Blanc
  III. Timing in exhibitions. Interwoven temporalities / Rike Frank
  Durational aesthetics / Adrian Heathfield
  Vague presence / Philippe Parreno in conversation with Jörn Schafaff
  Parallel times whether one's own or that of others: On curating performance art / Barbara Clausen
  Challenging institutional standard time / Jörn Schafaff
  Grand openings: Return of the blogs / Maeve Connolly, Inka Meissner
  Push and pull: The artwork enacted through time / Catherine Wood
  IV. Reconsidering exhibition formats. Performative exhibitions: The problem of open-endedness / Claire Bishop
  Who's present in presentation? : On Lothar Baumgarten's "Evening of Time
  Señores Naturales. Yanomami" / Benjamin Meyer-Krahmer
  Performance without curators: Art and the public sphere / Sabine Breitwieser
  Out of sync, or curatorial heterochronicity: "Anti-illusion: Procedures/Materials" (1969) / Beatrice von Bismarck.