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Bibliographic Record Display

• Title:Mirroring the Japanese empire : the male figure in yōga painting, 1930-1950 / by Maki Kaneko.
  
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• Author/Creator:Kaneko, Maki, author.
  
• Published/Created:Leiden ; Boston : Brill, 2015.
  

• Holdings

  Holdings Record Display

  • Location:MAA LIBRARY (IKB) stacksWhere is this?
    
  • Call Number: ND1055.4 .K46 2015
    
  • Number of Items:1
    
  • Status:Available
    

   
• Library of Congress Subjects: Foujita, Tsugouharu, 1886-1968--Criticism and interpretation.
  Yasui, Sōtarō, 1888-1955--Criticism and interpretation.
  Matsumoto, Shunsuke, 1912-1948--Criticism and interpretation.
  藤田嗣治, 1886-1968--Criticism and interpretation.
  安井曽太郎, 1888-1955--Criticism and interpretation.
  松本竣介, 1912-1948--Criticism and interpretation.
  Painting, Japanese--Western style.
  Painting, Japanese--20th century.
  Sino-Japanese War, 1937-1945--Art and the war, [revolution, etc.].
  World War, 1939-1945--Art and the war.
  Men in art.
  War in art.
  World War, 1939-1945--Propaganda.
  Propaganda, Japanese.
  
• Description:x, 199 pages : color illustrations ; 26 cm
  
• Series:Japanese visual culture ; v. 14.
  
• Notes:Includes bibliographical references (pages 176-189) and index.
  
• ISBN:9789004227675
  9004227679
  
• Contents:Machine generated contents note: 1.Introduction
  Framing Japanese "War Art"
  New Studies on "War Art" after the 1990s
  The Male Figure in Yoga
  The "Men's World" of Yoga in the 1930s
  Chapter Organization
  2."Japanese" Men On Display: Fujita Tsuguharu's Campaign-Record Paintings
  Introduction
  A "Japanese" Artist in Bohemian Paris
  Fujita's Return to Imperial Japan
  Campaign-Record Painting as Battle for Yoga Artists
  Representation of the Japanese Male Body
  Fujita's Deathly Battle Pictures in the Last Phase of the Japanese Empire
  In/Visibility of the Racial and Sexual "Other"
  Conclusion
  3.Modern Portraiture As The Site Of Battle: Yasui Sotaro's Male Portraits And The Shirakaba School
  Introduction
  Yasui's "Atypical" Male Portraiture in the 1930s and 40s
  Kojima Kikuo: Art Historian, Critic, and Arts Administrator
  Kojima's Evaluation of Yasui's Portraiture
  Yasui as an Artist of Male Portraits Note continued: Negotiation and Formulation of Male Alliance through Portraiture
  Conclusion
  4.Artists As Madmen: Yamashita Kiyoshi And Matsumoto Shunsuke's "Disabled" Bodies
  Introduction
  Yamashita Kiyoshi and Wartime Society
  The Discourse of "Insanity" and Art in Prewar Japan
  Art and "Health" Policy in the 1930s
  "The Living Painter": Matsumoto Shunsuke
  Matsumoto Shunsuke's Resistance to "Abnormality" in Militant Japan
  Matsumoto's Bodily Representation of "Health" and "Manhood"
  Conclusion
  5.Conclusion: Male Icons Of Japan's "Long Postwar"
  The Persistence of Modernity: Yasui Sotaro
  The Resurrection of Wartime Memory: Yamashita Kiyoshi
  The Reconciliation with the Past: Fujita Tsuguharu
  The "Discovery" of the Lone Protester: Matsumoto Shunsuke.