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• Title:Modernism, periodicals, and cultural poetics / Matthew Chambers.
  
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• Author/Creator:Chambers, Matthew, 1978- author.
  
• Published/Created:New York, NY : Palgrave Macmillan, 2015.
  ©2015
  

• Holdings

  Holdings Record Display

  • Location:KOERNER LIBRARY stacks (Floor 1)Where is this?
    
  • Call Number: PR478.M6 C467 2015
    
  • Number of Items:1
    
  • Status:Available
    
  • Links:Donor bookplate
    

   
• Library of Congress Subjects:English poetry--20th century--History and criticism.
  Modernism (Literature)--Great Britain.
  Literature and society--Great Britain--History--20th century.
  Periodicals--Publishing--Great Britain--History--20th century.
  
• Edition:First edition.
  
• Description:x, 205 pages ; 23 cm
  
• Summary:"Modernism, Periodicals, and Cultural Poetics addresses how late modernist poetry in Britain tended toward a culturalist expression and importantly how this occurred within the pages of literary periodicals. 'Periodical formations' describe networks of exchange within and between different literary periodicals that condition the types of poetry published and the kinds of poetic discourse that come to predominate. A re-emphasis on periodical production following the publication of Eliot's The Waste Land and culminating with the pre-Movement magazines of the 1940's illustrates a complex and diverse series of debates and negotiations about not only the tradition of English poetry and its role in contemporaneous form, but also how poetry of the period related to the avant-garde trends prominent on the European continent and in America. By focusing on periodical formations, the development of what are now accepted understandings of the period can be better addressed, and certain lasting assumptions can be demythologized"-- Provided by publisher.
  
• Notes:Includes bibliographical references and index.
  
• ISBN:9781137541352 hardcover
  1137541350 hardcover
  
• Contents:Machine generated contents note: 1. Standards of Criticism
  2. English in English Surrealism
  3. Popular Poetry and Mass-Observation
  4. Politics of Reception.