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• Title:No reservation : New York contemporary Native American art movement / David Bunn Martine ; edited by Jennifer Tromski ; foreword by Dore Ashton.
  
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• Other Contributors/Collections:Martine, David Bunn, 1960- author.
  Ashton, Dore, writer of foreword.
  Tromski, Jennifer, editor.
  Amerinda, publisher.
  
• Published/Created:New York : AMERINDA, [2017]
  

• Holdings

  Holdings Record Display

  • Location:MAA LIBRARY (IKB) stacksWhere is this?
    
  • Call Number: N6538.A4 N668 2017
    
  • Number of Items:1
    
  • Status:Available
    

   
• Library of Congress Subjects:Indian art--New York (State)--New York--21st century.
  Indian artists--New York (State)--New York--21st century.
  Indian art--New York (State)--New York--20th century.
  Indian artists--New York (State)--New York--20th century.
  
• Description:259 pages : illustrations (some color) ; 23 cm
  
• Summary:The encounter of Native practices and influences with mainstream art created a community in which the relationship between art and indigenous sensibility was recognized and nurtured. These artists have shown in galleries in the heart of SoHo, written articles for publications such as Art in America, and produced work that incorporates the visual strategies of Abstract Expressionism, pop, conceptualism and various strains of postmodernism. Among the artists represented here are Leon Polk Smith, George Morrison, Jimmie Durham, Jaune Quick-to-See Smith, G. Peter Jemison, Jeffrey Gibson, Brad Kahlhamer and Lloyd R. Oxendine.
  
• Notes:Includes bibliographical references and index.
  
• ISBN:9780989856546
  0989856542
  
• Contents:Machine generated contents note: ch. 1 New York Contemporary Native Art Movement: Definitions and Themes
  Place
  Themes: Diversity and Context
  Artists
  Institutions
  History
  ch. 2 Interpretation of Native Art in Abstract Expressionist New York
  Postcolonial Transformations
  Ethos of Cultural Primitivism
  New York Artistic Movements: 1930s
  1980s
  Selected Mentors / Hans Hofmann
  Indian Space Painters
  Surrealists, The Navajos, and Jackson Pollock
  Gottlieb, Rothko, and Newman
  Other Notable Abstract Expressionists / Theodoros Stamos
  Native Influences Beyond Abstract Expressionism
  Critical Misunderstanding
  Case Study: MoMA and Native Art
  Restoring Native Artists to Mid-Century Art
  ch. 3 Foundations of the Movement: Native Visual Artists and Artist-Curators
  Native Artists of Abstract Expressionist New York / Leon Polk Smith
  Remembering Leon Polk Smith: Interview with Dore Ashton
  Founding Native Artist-Curator / Lloyd R. Oxendine
  AMERINDA Roundtable: The Beginnings of the Movement
  Founding Native Artist-Curator / G. Peter Jemison
  Founding Native Artist-Curator: Jaune Quick-to-See Smith
  AMERINDA Roundtable: Jaune as Artist and Curator
  AMERINDA Roundtable: Community and Support in the 1970s
  AMERINDA Roundtable: Internal Challenges to Community Building
  ch. 4 AICH and Intergenerational Community Building
  1969: The American Indian Community House (AICH)
  1978
  1985 / G. Peter Jemison
  1985
  1993 / Lloyd R. Oxendine
  1993
  1999 / Joanna Osburn-Bigfeather
  2000
  2005 / Kathleen Ash-Milby
  2005
  2007 / Sarah Sense
  ch. 5 New York Contemporary Native Art Movement: Native Visual Artists
  Aesthetic Sovereignty
  AMERINDA Roundtable: Critical Recognition
  AMERINDA Roundtable: Identifying as a Native Artist
  Visual Artists Biographies / Alfred Young Man
  ch. 6 New York Contemporary Native Art Movement: Native Performing Artists, Writers, and Filmmakers
  Mutual Inspiration: Native Visual and Performance Art
  Hanay Geiogamah and the Native American Theatre Ensemble
  Muriel Miguel and the Spiderwoman Theater
  Diane Fraher and AMERINDA
  Performing Artists, Writers, and Filmmakers Biographies / William S. Yellow Robe Jr.
  Conclusion
  Appendices
  A. Early Movement Archival Material
  B. Summary of Native American Art Movements
  C. Native Arts Chronology
  D. Brief History of Postwar Urban Indian Resettlement in New York.