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• Title:Making copies in European art 1400-1600 : shifting tastes, modes of transmission, and changing contexts / edited by Maddalena Bellavitis.
  
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• Other Contributors/Collections:Bellavitis, Maddalena, author, editor.
  
• Published/Created:Leiden ; Boston : Brill, [2018]
  ©2018
  

• Holdings

  Holdings Record Display

  • Location:MAA LIBRARY (IKB) stacksWhere is this?
    
  • Call Number: ND450 .M33 2018
    
  • Number of Items:1
    
  • Status:Available
    

   
• Library of Congress Subjects:Painting, Renaissance.
  Pictures--Copying.
  Art and society--Europe--History--To 1500.
  Art and society--Europe--History--16th century.
  
• Description:xxv, 515 pages : illustrations (chiefly color), facsimiles, plan ; 25 cm
  
• Series:Brill's studies in intellectual history ; v. 286.
  Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 30.
  
• Summary:Making Copies in European Art 1400-1600, edited by Maddalena Bellavitis, consists of 16 essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.
  
• Notes:Includes bibliographical references and indexes.
  
• ISBN:9789004360891 (hardback ; alk. paper)
  9004360891 (hardback ; alk. paper)
  9789004379596
  
• Contents:Jan van Eyck's Arnolfini Portrait and Copies after his Woman and Her Toilette : Recollections of the Alhambra's Constellation Halls, the Hamman, and Alchemy / Barbara von Barghahn
  Models and the Practice of Drawing in Eastern Spain, 1370-1450 / Encarna Montero Tortajada
  Eyckian Icons and Copies / Larry Silver
  Copies after the Ghent Altarpiece for Spain: Four Case Studies / Leslie Blacksberg
  Following Bosch: The Impact of Hieronymus Bosch's Diableries and Their Reproduction in the 16th Century / Maddalena Bellavitis
  Tratta da Zorzi: Giulio Campagnola's Copies after other Artists and his Use of Models / Irene Brooke
  Virgin and Child with the Milk Soup after Gerard David: Series of Paintings on the Same Theme after Known Models / Catheline Périer-D'Ieteren
  Not Just Copies but Variations, Suggestions, Interpretations and Critical Reception: Joos van Cleve and the Lost Madonna of the Cherries by Leonardo da Vinci / Mari Pietrogiovanna
  Copies and Derivations of Giorgionesque Inventions: An Insight into the Visual and the Historical Sources / Sarah Ferrari
  Copies of Raphael's Mythological Paintings in the Collection of Cardinal Ludovisi / Claudia La Malfa
  From Workshp Master to the Artist's Individuality / Ana Calvo
  Jacopo Bassano and the Prints from Raphael's Masterpieces / Claudia Caramanna
  Que se haga al modo y manera de ... : Copy and Interpretation in the Visual Arts in Aragón during the 16th Century / Carmen Morte García
  Early Netherlandish Devotional Images, Their Copies and Their Metamorphosis in Aragonese Culture through Peripheral Areas / Caterina Virdis Limentani
  Marketing Workshop Versions in the 17th-century Dutch Art Market / Angela Ho
  Pictorial Copies in Granda during the Early Modern Age / David García Cueto
  Coda.