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• Title:Logic of experimentation : rethinking music performance through artistic research / Paulo de Assis.
  
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• Author/Creator:Assis, Paulo de, author.
  
• Published/Created:Leuven : Leuven University Press, [2018]
  

• Holdings

  Holdings Record Display

  • Location:MAA LIBRARY (IKB) stacksWhere is this?
    
  • Call Number: ML457 .A87 2018
    
  • Number of Items:1
    
  • Status:Available
    

   
• Library of Congress Subjects:Music--Performance--Philosophy and aesthetics.
  Music--Interpretation (Phrasing, dynamics, etc.)
  Performance practice (Music)
  
• Description:254 pages : illustrations, map ; 29 cm
  
• Series:Orpheus Institute series.
  
• Notes:Includes bibliographical references and index.
  
• ISBN:9789462701380 paperback
  9462701385 paperback
  9789461662507 electronic book
  
• Contents:Machine generated contents note: pt. l Assemblage Theory for Music
  ch. 1 Virtual Works
  -Actual Things
  Rasch
  limits of music philosophy and the role of artistic research
  Music ontologies: some problems
  Beyond transcendence: approaching a Deleuzian ontology
  Virtual works, actual things: towards a new image of musical work
  Strata
  Rasch25: ... vers la nuit
  ch. 2 Assemblage, Strata, Diagram
  Musical works as assemblages
  Agencement, logic of assemblage, assemblage theory
  Intermezzo: a note on translation
  From structure to assemblage
  Strata
  Diagram
  Logic of assemblage
  pt. 2 Experimental Systems in Music
  ch. 3 Experimental Systems and Artistic Research
  epistemology for artistic research?
  methodology for artistic research
  Hans-Torg Rheinberger's experimental systems
  Thought collective and ensembles of experimental systems: MusicExperiment21
  Series of experiments and modules of research
  ch. 4 Epistemic Complexity in Music Performance
  Complexity and epistemic complexity
  Epistemic complexity in biology
  Epistemic complexity in technology
  Epistemic complexity in music
  Experimentation in music performance: how to make the future?
  pt. 3 Beyond Interpretation: Bodies-in-Action
  ch. 5 Transduction and the Body as a Transducer
  Transduction in music performance: relaying flows of intensities;
  Gilbert Simondon's various definitions of transduction
  Discharge (potentiality);
  Passage (time and temporality);
  Energy (thermodynamics): potential, scales, entropy
  Information theory: structural germs and singularities (structuration)
  Haecceity: from haecceitas (Duns Scotus) to ecceite (Simondon) to hecceite (Deleuze and Guattari) to micro-haecceity
  Topology: in-formation
  Corporeality: somatic transduction
  Permanent transduction: being-in-the-world and fluctuatio animi; 11. Conclusion
  ch. 6 Rasch26: The Somatheme
  somatheme
  Roland Barthes at the piano: musica practica
  impact of Julia Kristeva: phenotext and genotext
  New musical concepts: geno-song, pheno-song, somatheme
  Intermezzo: fourteen somathemes
  impact of Jacques Lacan: signifier and jouissance
  Lacan's desire
  Situating the somatheme within Lacan's graphs of desire
  Conclusion: artistic research and transdisciplinarity
  pt. 4 New Ethics of Performance
  ch. 7 Emancipated Performer: Musical Renderings and Power Relations
  Music performance and power relations
  dominant image of work and the problem of interpretation
  tacit authorities: Deleuze's "Postscript on the Societies of Control"
  Nietzsche's three modes of relation to history: monumental, antiquarian, critical
  new image of work
  emancipated performer
  ch. 8 At the borders of time that surround our presence
  What is the contemporary?
  Agamben's contemporary: Barthes reading Nietzsche
  Nietzsche's untimely: lost in translation
  ... at the border of time that surrounds our presence ...
  Artistic research as the carrier of the contemporary
  Appendices
  Appendix 1 Beyond Urtext: A Dynamic Conception of Musical Editing
  On notation and time
  urtext era
  Urtext editions: an epistemological obstacle
  Critical editing of music and different types of editions
  Music editing and performance practice: a dynamic conception
  Appendix 2 Conditions of Creation and the Haecceity of Musical Material: Philosophical-Aesthetic Convergences between Helmut Lachenmann and Gilles Deleuze
  Helmut Lachenmann and Gilles Deleuze: an unconnected connection
  Helmut Lachenmann: toward an aesthetico-structural methodology
  Helmut Lachenmann's three "theses" on composing
  Gilles Deleuze's diagnostic function of art, capture of forces, and body without organs: first convergences with Helmut Lachenmann
  Helmut Lachenmann's four conditions of the musical material
  Gilles Deleuze's opinion, corporeity, fold, and latitude: further convergences with Helmut Lachenmann
  conditions of creation and the haecceity of musical material: a philosophical-aesthetic Erewhon.