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    International copyright : principles, law, and practice / Paul Goldstein, P. Bernt Hugenholtz.

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    • Title:International copyright : principles, law, and practice / Paul Goldstein, P. Bernt Hugenholtz.
    •    
    • Author/Creator:Goldstein, Paul, 1943-
    • Other Contributors/Collections:Hugenholtz, P. B.
    • Published/Created:New York : Oxford University Press, ©2013.

    • Holdings

      Holdings Record Display

       
    • Library of Congress Subjects:Copyright.
      Copyright, International.
    • Edition:3rd ed.
    • Description:xxiv, 591 p. ; 24 cm
    • Notes:Includes bibliographical references and index.
    • ISBN:9780199794294 ((pbk.) : alk. paper)
      0199794294 ((pbk.) : alk. paper)
    • Contents:Machine generated contents note: pt. I Principles of International Copyright
      ch. 1 Introduction
      1.1. Common Rules and Principles
      1.2. Rationales of Copyright
      1.3. Politics of International Copyright
      1.4. Internationalization of Copyright
      1.5. Outline of This Book
      ch. 2 Legal Traditions
      2.1. Copyright Tradition
      2.2. Traditions of Author's Right and Neighboring Rights
      2.2.1. Author's Right
      2.2.2. Neighboring Rights
      2.3. Copyright as a Human Right
      ch. 3 Norms of International Copyright
      3.1. Copyright Treaties
      3.1.1. Bilateral Copyright Treaties
      3.1.2. Berne Convention
      3.1.2.1. History
      3.1.2.2. Structure and Substance
      3.1.2.3. Residual Powers and Relations among Union Members
      3.1.3. Universal Copyright Convention
      3.1.4. WIPO Copyright Treaty
      3.1.5. Which Treaty Governs?
      3.1.5.1. Different Texts of the Berne Convention
      3.1.5.2. Texts of Different Treaties
      3.2. Neighboring Rights Treaties
      3.2.1. Rome Convention
      3.2.1.1. History
      3.2.1.2. Protection of Performers
      3.2.1.3. Protection of Producers of Phonograms
      3.2.1.4. Protection of Broadcasters
      3.2.1.5. Other Provisions
      3.2.2. Geneva Phonograms Convention
      3.2.3. WIPO Performances and Phonograms Treaty
      3.2.4. Brussels Satellite Convention
      3.3. Regional Arrangements
      3.3.1. European Union
      3.3.2. Inter-American Copyright Agreements
      3.3.3. Other Regional Arrangements
      3.4. Trade Arrangements
      3.4.1. TRIPs Agreement
      3.4.1.1. History
      3.4.1.2. Dispute Settlement
      3.4.1.3. Conditions for Protection
      3.4.1.4. Subject Matter, Ownership, and Term
      3.4.1.5. Rights and Remedies
      3.4.2. Regional and Bilateral Trade Agreements
      3.4.2.1. Free Trade Agreements
      3.4.2.2. Other Trade Agreements
      3.5. Intergovernmental Organizations
      ch. 4 Territoriality, National Treatment, Jurisdiction, and Conflict of Laws
      4.1. Territoriality Principle
      4.1.1. Territoriality in International Law
      4.1.2. Territoriality in Copyright Law
      4.2. National Treatment
      4.2.1. Trade Economics of National Treatment
      4.2.2. "Works" Subject to National Treatment
      4.2.2.1. Berne Convention
      4.2.2.2. TRIPs Agreement
      4.2.3. "Rights" Subject to National Treatment
      4.2.3.1. Berne Convention
      4.2.3.2. TRIPs Agreement
      4.2.4. Most-Favored-Nation Requirement
      4.2.4.1. "Works" Subject to Most-Favored-Nation Requirement
      4.2.4.2. Exemptions from Coverage
      4.3. Jurisdiction
      4.3.1. Subject Matter Jurisdiction
      4.3.1.1. Common Law Traditions; Copyright Infringement as a "Local" or "Transitory" Action
      4.3.1.2. Civil Law Tradition; the Brussels Regime
      4.3.2. Forum Non Conveniens
      4.3.3. Hard Cases
      4.3.3.1. Where Acts of Infringement Occur in More than One Country
      4.3.3.2. Where Elements of Infringement Occur in More than One Country
      4.3.4. Contractual Choice of Forum
      4.4. Conflict of Laws
      4.4.1. Where No Contract Prescribes Applicable Law
      4.4.1.1. Authorship and Initial Ownership
      4.4.1.2. Subject Matter and Rights
      4.4.2. Law of the Contract as Applicable Law
      4.4.2.1. When Parties Have Designated Applicable Law
      4.4.2.2. When Parties Have Not Designated Applicable Law
      4.4.3. Where the Law of the Protecting Country and the Law of the Contract Conflict
      ch. 5 Scope and Points of Attachment of International Protection
      5.1. Berne Convention
      5.1.1. Application of the Berne Convention
      5.1.1.1. Subject Matter Scope
      5.1.1.2. Temporal Scope
      5.1.2. Points of Attachment
      5.1.2.1. Nationality or Residence of Author
      5.1.2.2. Country of Publication
      5.2. Universal Copyright Convention
      5.3. Other Copyright Treaties
      5.4. TRIPs Agreement
      5.5. Neighboring Rights Treaties
      5.5.1. Rome Convention
      5.5.1.1. Performers
      5.5.1.2. Producers of Phonograms
      5.5.1.3. Broadcasting Organizations
      5.5.2. Geneva Phonograms Convention
      5.6. Points of Attachment under National Law
      5.6.1. United States
      5.6.1.1. Unpublished Works
      5.6.1.2. Published Works
      5.6.1.3. Retroactive Protection for Works Lacking a Point of Attachment
      5.6.1.4. Moral Rights and Neighboring Rights
      5.6.2. Other Countries
      pt. II Substantive Copyright Law
      ch. 6 Subject Matter of Copyright and Neighboring Rights
      6.1. Literary and Artistic Works
      6.1.1. Standards for Protection
      6.1.2. Classes of Subject Matter
      6.1.2.1. Literary Works
      6.1.2.2. Musical Works
      6.1.2.3. Works of Visual Art and Photography
      6.1.2.4. Dramatic Works
      6.1.2.5. Cinematographic Works
      6.1.2.6. Translations, Adaptations, and Other Derivative Works
      6.1.2.7. Compilations and Collective Works, Including Databases
      6.1.2.8. Utilitarian Works
      6.1.2.9. Computer Programs
      6.1.2.10. Applied Art and Industrial Design
      6.1.3. Unprotectible Subject Matter
      6.1.3.1. Ideas, Facts
      6.1.3.2. Official Texts
      6.1.4. Formalities
      6.1.4.1. General Prohibition
      6.1.4.2. United States
      6.1.5. Fixation
      6.2. Performances, Phonograms, Broadcasts, Databases, and Other Productions
      6.2.1. Performances
      6.2.2. Phonograms
      6.2.3. Broadcasts
      6.2.4. Databases
      6.2.5. Formalities
      ch. 7 Authorship and Ownership
      7.1. Initial Authorship and Ownership
      7.2. Collaborative (Joint) Authorship
      7.3. Collective Works
      7.4. Works Made for Hire or under Employment
      7.5. Audiovisual Works (Including Cinematographic Works)
      7.5.1. National Law
      7.5.2. International Conventions
      7.5.2.1. Berne Convention
      7.5.2.2. Rome Convention
      7.6. Ownership by Transfer
      7.6.1. Limitations and Construction of Transfers
      7.6.1.1. Scope of Grant
      7.6.1.2. Term and Termination of Grant
      7.6.1.3. Remuneration
      7.6.1.4. Rights to Future Works
      7.6.2. Formalities and Priorities
      7.6.2.1. Formalities
      7.6.2.2. Priorities
      7.7. Rights Management
      7.7.1. Collective Rights Management in General
      7.7.2. United States: ASCAP, BMI, and Management by Consent Decree
      7.7.3. Europe: Regulation and Supervision of Collecting Societies
      ch. 8 Term of Protection
      8.1. Copyright
      8.1.1. Traditional Literary and Artistic Works
      8.1.1.1. Individual Works
      8.1.1.2. Collective and Joint Works
      8.1.1.3. Anonymous and Pseudonymous Works
      8.1.2. Special Classes of Works
      8.1.2.1. Cinematographic Works
      8.1.2.2. Photographs and Works of Applied Art
      8.2. Neighboring Rights
      8.3. Comparison of Terms
      8.3.1. Berne Convention
      8.3.1.1. Scope
      8.3.1.2. Country of Origin
      8.3.2. Universal Copyright Convention
      8.3.3. E.C. Term Directive
      8.4. Retroactivity
      ch. 9 Economic Rights
      9.1. Copyright
      9.1.1. Reproduction Right
      9.1.2. Distribution
      9.1.2.1. Exhaustion (First Sale)
      9.1.2.2. Rental Rights
      9.1.2.3. Public Lending Right
      9.1.2.4. Droit de Suite (Resale Royalty Right)
      9.1.3. Translation and Adaptation
      9.1.4. Communication to the Public
      9.1.4.1. Public Performance and Recitation
      9.1.4.2. Exhibition and Display
      9.1.4.3. Broadcasting
      9.1.4.4. Cable Retransmission
      9.1.4.5. Making Available Online
      9.1.5. Secondary (Contributory) Liability
      9.1.5.1. Online Intermediaries
      9.1.6. Anti-Circumvention Rules
      9.2. Neighboring Rights
      9.2.1. Rights of Performers
      9.2.2. Rights of Phonogram Producers
      9.2.3. Rights of Broadcasting Organizations
      9.2.4. Other Neighboring Rights
      ch. 10 Moral Rights
      10.1. Right of Paternity
      10.2. Right of Integrity
      10.3. Right of Divulgation
      10.4. Right of Withdrawal
      10.5. Limitation and Waiver of Moral Rights
      10.5.1. Waiver
      10.5.2. Limitations
      ch. 11 Exemptions, Statutory Licenses, and Other Limitations on Exclusive Rights
      11.1. Three-Step Test
      11.2. Private Uses
      11.2.1. Research and Scholarship
      11.2.2. Private Copying and Home Taping
      11.2.3. Reverse Engineering
      11.3. Incidental Uses
      11.3.1. Ephemeral Copies for Broadcasting Purposes
      11.3.2. Transient Digital Copies
      11.3.3. Other Incidental Uses
      11.4. Public Uses
      11.4.1. Quotation and Parody
      11.4.2. Uses by the Media
      11.4.3. Educational Uses
      11.4.4. Library and Archival Uses
      11.4.5. Recording of Musical Works
      11.4.6. Other Uses
      11.5. Reproduction and Translation in Developing Countries
      11.6. External Constraints on Copyright
      11.6.1. Misuse and Abuse of Copyright
      11.6.2. Freedom of Expression
      ch. 12 Enforcement
      12.1. Coercive Remedies
      12.1.1. Temporary Remedies
      12.1.2. Permanent Remedies
      12.2. Monetary Remedies
      12.3. Criminal Sanctions
      12.4. Customs (Border) Measures
      APPENDICES
      1. Berne Convention for the Protection of Literary and Artistic Works [Paris Text, 1971]
      2. Berne Convention, Contracting Parties
      3. International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations [Rome Convention]
      4. Rome Convention, Contracting Parties
      5. WIPO Copyright Treaty [With Agreed Statements]
      6. WIPO Copyright Treaty, Contracting Parties
      7. WIPO Performances and Phonograms Treaty [With Agreed Statements]
      8. WIPO Performances and Phonograms Treaty, Contracting Parties
      Contents note continued: 9. Agreement on Trade-Related Aspects of Intellectual Property Rights, Including Trade in Counterfeit Goods [TRIPs Agreement]
      10. Members of the World Trade Organization [WTO]
      11. International Copyright Relations of the United States of America.
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