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• Title:Music copyright law / David J. Moser, Cheryl L. Slay.
  
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• Author/Creator:Moser, David J.
  
• Other Contributors/Collections:Slay, Cheryl L.
  
• Published/Created:Boston, MA : Course Technology, Cengage Learning, ©2012.
  

• Holdings

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  • Location: c.1  Temporarily shelved at LAW LIBRARY reference room (level 2)Where is this?
    
  • Call Number: KF3035 .M67 2012
    
  • Number of Items:1
    
  • Status:Available
    

   
• Library of Congress Subjects:Copyright--Music--United States.
  
• Description:xvi, 304 pages ; 28 cm
  
• Notes:Includes bibliographical references and index.
  
• ISBN:9781435459724 (pbk.)
  1435459725 (pbk.)
  
• Contents:Machine generated contents note: ch. 1 What Is Copyright?
  I. Copyright: A Type of Property
  II. Why Do We Need Copyright?
  A. Author's Right Philosophy
  B. Utilitarian Philosophy
  C. Other Philosophies
  D. Economic Rights Philosophy
  III. Other Types of Intellectual Property Protection
  A. Patents
  B. Trademarks
  C. Trade Secrets
  IV. Copyright's Importance to the Economy and the Music Industry
  Endnotes
  ch. 2 History of Copyright
  I. World before Copyright
  II. Copyright's English Origins
  A. Statute of Anne
  III. Copyright in the United States
  A. Colonial States
  B. Constitutional Copyright Clause
  C. Copyright Act of 1790
  D. Copyright Act of 1831
  E. Copyright Act of 1909
  F. Copyright Act of 1976
  IV. International Developments
  V. Summary
  Endnotes
  ch. 3 What Can Be Protected by Copyright?
  I. Requirements for Copyright
  A. Originality
  B. Expression
  C. Fixation
  II. Categories of Copyrightable Works
  A. Musical Works
  B. Sound Recordings
  C. Literary Works
  D. Dramatic Works
  E. Pantomines and Choreographic Works
  F. Pictorial, Graphic, and Sculptural Works
  G. Motion Pictures and Other Audiovisual Works
  III. Compilations
  A. Collective Works
  IV. What Is Not Protected by Copyright?
  A. Public Domain
  B. Ideas versus Expression
  C. Facts
  D. Names, Titles, Slogans, and Short Phrases
  E. Unfixed Works
  F. Works of the United States Government
  Endnotes
  ch. 4 Ownership of Copyright
  I. Initial Ownership
  II. Joint Ownership
  A. Requirements for Joint Ownership
  B. Rights and Duties of Joint Owners
  C. Community Property
  III. Works Made for Hire
  A. Two Categories of Works Made for Hire
  IV. Transfer of Copyright Ownership
  A. Writing Requirement
  B. Recording Copyright Transfers
  V. Termination of Transfers
  A. Rationale for the Termination Right
  B. Transfers Made Beginning January 1, 1978
  C. Transfers Made before January 1, 1978
  D. Derivative Works Exception
  VI. Ownership of Sound Recordings
  VII. Orphan Copyrights
  Endnotes
  ch. 5 Reproduction Right
  I. Introduction: Exclusive Rights
  II. Reproduction Right
  A. Reproduction of Musical Works
  B. Reproduction of Sound Recordings
  Endnotes
  ch. 6 Derivative and Distribution Rights
  I. Derivative Right
  A. What Is a Derivative Work?
  B. Requirements for Derivative Works
  C. Types of Derivative Works
  D. Degree of Protection in Derivative Works
  E. Derivative Musical Arrangements
  F. Derivatives of Sound Recordings
  G. Arrangements Under the Compulsory Mechanical License
  H. Copyrighting the Uncopyrightable
  II. Distribution Right
  A. Record Piracy
  B. Limitations on the Distribution Right
  Endnotes
  ch. 7 Public Performance and Display Rights
  I. Public Performance Right
  A. What Is a Performance?
  B. What Is a Public Performance?
  C. Performing Rights Organizations
  D. Limitations on the Public Performance Right
  E. Sound Recordings and the Performance Right
  F. Digital Performance Right in Sound Recordings Act
  II. Public Display Right
  A. Limitations on the Public Display Right
  Endnotes
  ch. 8 Duration of Copyright
  I. Evolution of Copyright Term
  A. 1909 Copyright Act
  B. 1976 Copyright Act
  II. Determining Copyright Duration
  A. Works Created from 1978 to Present
  B. Works Created but Not Published before 1978
  C. Works Published before 1978
  D. Determining Whether a Work Is in the Public Domain
  E. Restoration of Copyright in Foreign Works
  F. Duration of Assignments
  III. Copyright Term in Other Countries
  A. Canada
  B. European Union
  C. Australia
  D. Japan
  E. China
  F. South Korea
  G. Mexico
  IV. Rule of the Shorter Term
  Endnotes
  ch. 9 Copyright Formalities
  I. Copyright Office
  A. Structure of the Copyright Office
  B. Copyright Office Records
  II. Copyright Registration
  A. What Is Copyright Registration?
  B. Why Should You Register?
  C. Who Can Register?
  D. When Should You Register?
  E. How to Register?
  F. Registering a Collection of Works
  G. Expedited Registration
  H. Examination Process
  I. Correcting and Supplementing Registrations
  J. Alternatives to Registration
  K. Preregistration of Works
  III. Copyright Deposit
  A. Mandatory Deposit
  B. Penalties for Failure to Deposit
  C. What Must Be Deposited
  D. Exemptions from the Deposit Requirement
  IV. Copyright Notice
  A. What Should a Copyright Notice Contain?
  B. Where Should Copyright Notice Be Placed?
  Endnotes
  ch. 10 Infringement of Copyright
  I. What Is Copyright Infringement?
  II. What if You Believe Your Work Has Been Infringed?
  III. How to Bring an Infringement Lawsuit
  A. Who Can Sue for Infringement?
  B. Where to Bring a Copyright Infringement Lawsuit
  IV. How Do You Prove Infringement?
  A. Ownership of a Valid Copyright
  B. Copying of a Copyrighted Work
  C. Some Famous Music Infringement Cases
  V. Liability for Infringement
  A. Contributory Infringement
  B. Vicarious Infringement
  C. Inducement Liability
  D. Joint and Several Liability
  Endnotes
  ch. 11 Defenses to Infringement
  I. Statute of Limitations
  II. Abandonment of Copyright
  III. Independent Creation
  IV. Fair Use
  A. What Is Fair Use?
  B. Origins of Fair Use
  C. Fair Use Under the 1976 Copyright Act
  V. De Minimis Copying
  VI. Innocent Intent
  Endnotes
  ch. 12 Remedies for Copyright Infringement
  I. Coercive Remedies
  A. Injunction
  B. Impoundment
  C. Destruction
  II. Compensatory Remedies
  A. Actual Damages and Profits
  B. Statutory Damages
  C. Costs and Attorneys' Fees
  III. Criminal Copyright Infringement
  A. 1976 Copyright Act
  B. No Electronic Theft Act
  C. Pre-Release Piracy
  D. Digital Millennium Copyright Act
  Endnotes
  ch. 13 International Copyright Protection
  I. History of U.S. Attempts at International Protection
  A. Bilateral Treaties
  B. Multinational Treaties
  C. Differences in Copyright Term for Sound Recordings
  II. Countries That Have No Copyright Relations with the United States
  III. Piracy and the Use of Economic Pressure to Enforce Copyright
  IV. What to Do if Your Work Is Infringed in a Foreign Country
  Endnotes
  ch. 14 Copyright and Digital Technology
  I. Copyright Law in the Internet Age
  II. New Technologies
  A. Digital Technology
  B. Internet
  III. How Music Is Used on the Internet
  A. Streaming
  B. Downloading
  IV. How Does Copyright Apply to the Internet?
  A. Reproduction Right
  B. Public Performance Right
  C. Reproduction/Performance Controversy
  D. Distribution Right
  V. Digital Millennium Copyright Act
  A. Anti-Piracy Provisions
  B. Online Service Provider Liability
  VI. Balance or Battleground?
  A. Net Neutrality
  B. Future of Protecting Intellectual Property on the Net
  Endnotes
  ch. 15 Online Music War
  I. Legal Enforcement
  A. What Is Filesharing?
  B. War Begins: A&M Records v. Napster
  C. Grokster, Parts One and Two: The Music Industry Suffers Its First Legal Losses
  D. RIAA v. The People
  E. Grokster and Streamcast, Part Three: Filesharing D-Day
  F. Emergence of an International Standard
  G. Have the Filesharing Lawsuits Helped?
  II. Three Strikes and You're Out?: The Role of Internet Service Providers
  III. Copyright Education
  IV. Conclusion
  Endnotes.