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    A million years of music : the emergence of human modernity / Gary Tomlinson.

    • Title:A million years of music : the emergence of human modernity / Gary Tomlinson.
    •    
    • Author/Creator:Tomlinson, Gary, author.
    • Published/Created:New York : Zone Books, 2015.
      Cambridge, Massachusetts ; London, England : Distributed by the MIT Press
      ©2015
    • Holdings

      • Location: c.1  Temporarily shelved at MAA LIBRARY (IKB) reserve collectionWhere is this?
      • Call Number: ML160 .T635 2015
      • Number of Items:1
      • Status:Available
       
    • Library of Congress Subjects:Music--History and criticism.
      Musicology.
    • Edition:First edition.
    • Description:362 pages : illustrations (some color) ; 24 cm
    • Summary:What is the origin of music? In the last few decades this centuries-old puzzle has been reinvigorated by new archaeological evidence and developments in the fields of cognitive science, linguistics, and evolutionary theory. In this path-breaking book, renowned musicologist Gary Tomlinson draws from these areas to construct a new narrative for the emergence of human music. Starting at a period of human prehistory long before Homo sapiens or music existed, Tomlinson describes the incremental attainments that, by changing the communication and society of prehuman species, laid the foundation for musical behaviors in more recent times. He traces in Neandertals and early sapiens the accumulation and development of these capacities, and he details their coalescence into modern musical behavior across the last hundred millennia. But 'A Million Years of Music' is not about music alone. Tomlinson builds a model of human evolution that revises our understanding of the interaction of biology and culture across evolutionary time-scales, challenging and enriching current models of our deep history.0As he tells his story, he draws in other emerging human traits: language, symbolism, a metaphysical imagination and the ritual it gives rise to, complex social structure, and the use of advanced technologies. Tomlinson's model of evolution allows him to account for much of what makes us a unique species in the world today and provides a new way of understanding the appearance of humanity in its modern form.
    • Notes:Includes bibliographical references and index.
    • ISBN:9781935408659
      1935408658 hardcover
    • Contents:Machine generated contents note: I. Some First Principles
      Listening Back
      Incrementalism
      Perils of Adaptationism
      Coevolution, Sociality, and Culture
      Biocultural Coevolution of Hominins
      Looking Forward
      II. 1,000,000 Years Ago: Acheulean Performances
      Marteau sans maitre
      Acheulean Industries
      Embodied Symmetries
      Chaine Operatoire and Taskscape
      Mimetic Traditions
      Entrainment
      Acheulean Increment
      Poiesis
      III. 500,000 Years Ago: Lower Paleolithic Voices
      Vocalized Taskscape
      Copresence
      Mindreading and Shared Attention
      Protolanguage
      Protodiscourse and Gesture-Calls
      Myths about Musical Protolanguage
      Prosody and Melodic Contour
      Negotiated Voicescape
      Excursus: Social Intelligence, Baboon Minds, and Connectionist Cognition
      IV. 250,000 Years Ago: Neandertal Digitalization
      Protodiscourse as Protomusical Structure
      Middle Paleolithic Heuristics
      Neandertal Lithics
      Further Protomusical Structure
      Discrete Neandertals
      V. 100,000 Years Ago: Symbolic et non
      Archaeological Conundrum
      Regressive Symbolism
      Peirce, Deacon, and Emergent Symbolism
      Symbolocentrism and the Indexical Challenge
      System without Symbol: A Phylogeny of Discrete Pitch
      Glimpses of Modernity
      VI. 100,000
      20,000 Years Ago, I: Homo sapiens and the Falling Out of Modern Culture
      Fine Grain
      Migrations and Climates
      Population and Innovation
      Repeating Epicycles: Engravings and Beads out of Africa
      Trackless Paths
      VII. 100,000
      20,000 Years Ago, II: Musicking
      How the Hunters Returned
      Differences over Aurignacian Difference
      What Aurignacian Musical Pipes Tell Us
      Musicking
      Musicking on the Transcendental Taskscape
      VIII. Afterward
      Evolution, Emergence, and History: A Final Note.
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