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Faith, gender and the senses in Italian Renaissance and Baroque art : interpreting the Noli me tangere and Doubting Thomas / Erin E. Benay and Lisa M. Rafanelli.
Bibliographic Record Display
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Title:Faith, gender and the senses in Italian Renaissance and Baroque art : interpreting the Noli me tangere and Doubting Thomas / Erin E. Benay and Lisa M. Rafanelli.
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Author/Creator:Benay, Erin E., author.
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Other Contributors/Collections:Rafanelli, Lisa M., author.
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Published/Created:Farnham Surrey, England ; Burlington, VT : Ashgate, [2015]
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Holdings
Holdings Record Display
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Location:MAA LIBRARY (IKB) stacksWhere is this?
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Call Number: N8180 .B42 2015
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Number of Items:1
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Status:Available
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Location:MAA LIBRARY (IKB) stacksWhere is this?
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Library of Congress Subjects:Jesus Christ--Appearances--Art.
Thomas, Apostle, Saint, active 1st century--Art.
Christian art and symbolism--Italy--Renaissance, 1450-1600.
Senses and sensation in art.
Sex role in art.
Noli me tangere (Art)
Touch--Religious aspects--Christianity.
Sex role--Religious aspects--Christianity.
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Description:xvi, 282 pages : illustrations ; 25 cm
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Series:Visual culture in early modernity.
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Notes:Includes bibliographical references (pages 235-263) and index.
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ISBN:9781472444738 (hardcover : alk. paper)
1472444736 (hardcover : alk. paper)
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Contents:Verifying the resurrection: St. Mary Magdalene and St. Thomas at the intersection of word and image, c. 400-1300
Mary Magdalene as a model of piety in mendicant art
The Doubting Thomas and Franciscan renewal in the early Renaissance
"Toccate il vero": evidence, belief and images of the Doubting Thomas in the public eye
The decorum of touch: private devotional images of St. Mary Magdalene and the noli me tangere in central and northern Italy
Experiencing faith after the Reformation.