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Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas / edited by Heather Graham and Lauren G. Kilroy-Ewbank.
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Title:Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas / edited by Heather Graham and Lauren G. Kilroy-Ewbank.
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Other Contributors/Collections:Graham, Heather, 1978- editor.
Kilroy-Ewbank, Lauren, editor.
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Published/Created:Leiden ; Boston : Brill, [2018]
©2018
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Holdings
Holdings Record Display
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Location:MAA LIBRARY (IKB) stacksWhere is this?
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Call Number: N8251.S567 V57 2018
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Number of Items:1
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Status:Available
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Location:MAA LIBRARY (IKB) stacksWhere is this?
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Library of Congress Subjects:Suffering in art.
Pain in art.
Art, European--Themes, motives.
Art, Spanish colonial--Themes, motives.
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Description:xxii, 440 pages : colour illustrations ; 25 cm
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Series:Brill's studies in intellectual history ; v. 277.
Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 24.
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Summary:Visualizing sensuous suffering and affective pain in Early Modern Europe and the Spanish Americas' is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, Mexico, and the Philippines and chronologically from the fourteenth to the eighteenth centuries, these studies variously consider pain and suffering as somatic, emotional, and psychological experiences. From examination of bodies shown victimized by brutal public torture to the sublimation of physical suffering conveyed through the incised lines of Counter-Reformation engravings, the authors consider depictions of pain and suffering as conduits to the divine or as guides to social behaviour; indeed, often the two functions overlap.
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Notes:Includes bibliographical references and index.
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ISBN:9789004360679
9004360670
9789004360686
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Contents:Performing Pain
Pain and Suffering in Franciscan Devotion
Sensuous Suffering Through Word and Image.