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• Title:The Palgrave Handbook of the Philosophy of Film and Motion Pictures edited by Noël Carroll, Laura T. Di Summa, Shawn Loht.
  
•    
• Other Contributors/Collections:Carroll, Noël.
  Di Summa, Laura T.
  Loht, Shawn.
  SpringerLink (Online service)
  Springer Nature - Springer Religion and Philosophy eBooks 2019 English International
  
• Published/Created:Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
  
• In:Springer eBooks
  

• Holdings

  Holdings Record Display

  • Location:ONLINEWhere is this?
    
  • Call Number: BH1-301
    
  • Number of Items:
    0
  • Status:No information available 

   
• Library of Congress Subjects:Aesthetics.
  Motion pictures and television.
  Philosophy.
  Culture-Study and teaching.
  
• Subject(s):Electronic books.
  Aesthetics.
  Screen Studies.
  Philosophy of Technology.
  Cultural Theory.
  
• Edition:1st ed. 2019.
  
• Description:1 online resource
  
• Terms governing use:Access may be restricted to institutions with a site license.
  
• Summary:This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium's intersection with contemporary social issues, film's kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
  
• ISBN:9783030196011
  9783030196004
  9783030196028
  9783030196035
  
• Contents:1.Frank Boardman - Film Ontology: Extension, Criteria, and Candidates
  2. Noël Carroll - Medium Specificity
  3. Nick Wiltsher and Aaron Meskin- The Moving Image
  4. Patrick Keating - The Art of Cinematography
  5. Angela Curran - Silly Questions and Arguments for the Implicit, Cinematic Narrator
  6. Patrick Keating - Narrative and the Moving Image
  7. Karen Pearlman - On Rhythm in Film Editing
  8. David Davies - Animation
  9. Paloma Atencia-Linares - Sound in Film
  10. Ted Nannicelli - What is a Screenplay?
  11. Richard Eldridge - Analytic Philosophy of Film (Contrasted with Continental Film Theory)
  12. John Ó Maoilearca - When the Twain Shall Meet: On the Divide between Analytic and Continental Film Philosophy
  13. Shawn Loht - The Phenomenological Movement in Context of the Philosophy of Film and Motion Pictures
  14. Espen Hammer - Ideology and Experience: The Legacy of Critical Theory
  15. Paul Guyer - Stanley Cavell: What Becomes of People on Film?
  16. Deborah Knight - Film Art from the Analytic Perspective
  17. Carl Plantinga - Cognitive Theory of the Moving Image
  18. Andrew Klevan - Aesthetic Criticism
  19. Robert Sinnerbrink - Poststructuralism and Film
  20. Eva M. Dadlez - Thoughtful Films, Thoughtful Fictions: The Philosophical Terrain between Illustrations and Thought Experiments
  21. Thomas E. Wartenberg - Contemporary Philosophical Filmmaking
  22. Robert Sinnerbrink - Filmosophy/Film as Philosophy
  23. Douglas Lackey - The Auteur Theory in the Age of the Mini-Series
  24. Tom Gunning - The Question of Poetic Cinema
  25. Malcolm Turvey - Avant-garde Film as Philosophy
  26. Vitor Moura - Show and Tell: The identification of documentary film
  27. Laura T. Di Summa - The Autobiographical Documentary
  28. Zoë Cunliffe - Feminist Philosophy of Film
  29. Lewis R. Gordon- Race in Film
  30. David A. Gerstner - How Do We Look So Far? Notes Toward a Queer-Film Philosophy
  31. Jacob M. Held - Film, Art, and Pornography
  32. Sheryl Tuttle Ross - Propaganda and the Moving Image
  33. Kristin Boyce - Film and Fine Art: Automatism, Automata and "The Myth of Total Cinema" in The Red Shoes and Tales of Hoffmann
  34. John Dyck - The Sonic Art of Film and the Sonic Arts in Film
  35. Garry L. Hagberg - Adaptation, Translation, and Philosophical Investigation in Adaptation
  36. Jonathan Gilmore - Imagination and Film
  37. Daniel Jerónimo Tobón- Empathy and Sympathy: Two Contemporary Models of Character Engagement
  38. Jesse J. Prinz - Affect and Motion Pictures
  39. Nick Pappas - Psychoanalysis and the Philosophy of Film
  40. Ted Nannicelli - The Television Medium
  41. Jon Robson and Aaron Meskin - Video games and Film
  42. Gal Raz - Virtual Reality as an Emerging Art Medium and its Immersive Affordances.