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    From the classicists to the impressionists : a documentary history of art and architecture in the 19th century / selected and edited by Elizabeth Gilmore Holt. --

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    • Title:From the classicists to the impressionists : a documentary history of art and architecture in the 19th century / selected and edited by Elizabeth Gilmore Holt. --
    •    
    • Other Contributors/Collections:Holt, Elizabeth Basye Gilmore.
    • Published/Created:[New York] : New York University Press : Anchor Books, 1966.

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      • Location:PARC (circulating) (Order via Document Delivery)Where is this?
      • Call Number: N5303 .H74
      • Number of Items:1
      • Status:Available
       
    • Library of Congress Subjects:Art--History--Sources.
      Architecture--History--Sources.
      Art and society.
      Nineteenth century.
    • Description:xxi, 552 p., [64] p. of plates : illustrations.
    • Notes:Includes bibliographical references and index.
    • Contents:I. Classicism. Jacques-Louis David: the painting of the Sabines (1800)
      Antoine C. Quatremere de Quincy: a commentary on an antique statue of Venus found on the Island of Milos (1820)
      John Flaxman
      Jean Auguste Dominique Ingres
      Marie Henri Beyle Stendhal: salon of 1824
      II. Romanticism. Francisco Goya
      Wilhelm H. Wackenroder: effusions from the heart of an art-loving monk
      Philip Otto Runge
      Caspar David Friedrich: thoughts on art
      Carl Carus: nine letters on landscape painting (1815-25)
      Peter Von Cornelius
      Wiliam Blake
      John Constable
      John Ruskin
      William Holman Hunt: pre-Raphaelitism and the pre-Raphaelite brotherhood
      Anna Jameson
      Eugene Delacroix
      Charles Baudelaire: the salon of 1846
      III. On the architecture of the nineteenth century and some architectural forms characteristic of the century. Etienne Louis Boullee
      J.N. Durand
      Eugene E. Viollet-Le-Duc
      Claude Nicolas Ledoux: architecture considered in relation to art, mores, and legislation
      Ebenezer Howard
      Thomas Jefferson
      Friedrich Gilly
      Alexander Lenoir: museum of French monuments (1803)
      Karl Friedrich Schinkel
      Henri Labrouste: ground plan and reading room of the Bibliotheque Nationale
      F. Leonce Reynaud
      Louis Sullivan: the tall office building artistically reconsidered
      C.N. Ledoux
      Andrew Jackson Downing
      Frank Lloyd Wright: a home in a prairie town
      IV. Realism and impressionism. Michel Eugene Chevreul: the principles of harmony and contrast of colours and their applications to the arts (1839)
      Gustave Courbet
      Jean Francois Millet
      Eugene Fromentin: the influence of Holland upon French landscape (1872)
      Edouard Manet: reasons for holding a private exhibition (May 1867)
      Emile Zola: mon salon (1866)
      James McNeill Whistler
      Edgar Degas
      Auguste Rodin
      V. Artist and society. John Ruskin: stones of Venice (1851-53)
      Pierre Joseph Proudhon: of the principle of art and its social purpose (1865)
      William Morris: "the lesser arts," delivered before the Trades' Guild of Learning (1877)
      VI. Search for form and symbols. Conrad Fiedler: three fragments (1895)
      Georges Seurat
      Vincent Van Gogh
      Joris Huysmans: against the grain (1884)
      Odilon Redon
      Edvard Munch: impressions from a ballroom, St. Cloud, 1889
      Paul Gauguin
      Maurice Denis: definition of neo-traditionalism
      Edouard Vuillard
      Paul Cezanne.
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