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• Title:Film theory and criticism : introductory readings / edited by Leo Braudy, Marshall Cohen.
  
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• Other Contributors/Collections:Braudy, Leo.
  Cohen, Marshall.
  
• Published/Created:New York : Oxford University Press, 2004.
  

• Holdings

  Holdings Record Display

  • Location:KOERNER LIBRARY stacks (Floor 1)Where is this?
    
  • Call Number: PN1994 .M364 2004
    
  • Number of Items:2
    
  • Status:Available
    

   
• Library of Congress Subjects:Motion pictures.
  
• Edition:6th ed.
  
• Description:xviii, 937 p. : ill. ; 24 cm.
  
• Notes:Includes bibliographical references and index.
  
• ISBN:0195158172 (alk. paper)
  
• Contents:I. Film Language
  On Editing / Vsevolod Pudovkin
  Beyond the Shot [The Cinematographic Principle and the Ideogram] / Sergei Eisenstein
  Dramaturgy of Film Form [The Dialectical Approach to Film Form] / Sergei Eisenstein
  Evolution of the Language of Cinema / Andre Bazin
  Toward a Non-Bourgeois Camera Style / Brian Henderson
  Some Points in the Semiotics of the Cinema / Christian Metz
  Problems of Denotation in the Fiction Film / Christian Metz
  Discourse of Pictures: Iconicity and Film Studies / Stephen Prince
  Tutor-Code of Classical Cinema / Daniel Dayan
  Spectator-In-the-Text: The Rhetoric of Stagecoach / Nick Browne
  II. Film and Reality
  Basic Concepts / Siegfried Kracauer
  Cabinet of Dr. Caligari / Siegfried Kracauer
  Ontology of the Photographic Image / Andre Bazin
  Myth of Total Cinema / Andre Bazin
  De Sica: Metteur-en-scene / Andre Bazin
  Complete Film / Rudolf Arnheim
  Cinematography: The Creative Use of Reality / Maya Deren
  From Metaphors on Vision / Stan Brakhage
  Apparatus: Metapsychological Approaches to the Impression of Reality in Cinema / Jean-Louis Baudry
  Jean-Louis Baudry and "The Apparatus" / Noel Carroll
  Preface to the English Edition / Gilles Deleuze
  Origin of the Crisis: Italian Neo-realism and the French New Wave / Gilles Deleuze
  Beyond the Movement-Image / Gilles Deleuze
  True Lies: Perceptual Realism, Digital Images, and Film Theory / Stephen Prince
  III. Film Medium: Image and Sound
  Style and Medium in the Motion Pictures / Erwin Panofsky
  Establishment of Physical Existence / Siegfried Kracauer
  Close-up / Bela Balasz
  Face of Man / Bela Balasz
  Film and Reality / Rudolf Arnheim
  Making of a Film / Rudolf Arnheim
  Specificity Thesis / Noel Carroll
  Projection / Gerald Mast
  Photograph and Screen / Stanley Cavell
  Audience, Actor, and Star / Stanley Cavell
  Types: Cycles as Genres / Stanley Cavell
  Ideas of Origin / Stanley Cavell
  Ideological Effects of the Basic Cinematographic Apparatus / Jean-Louis Baudry
  Aural Objects / Christian Metz
  Statement on Sound / Sergei Eisenstein, Vsevolod Pudovkin and Grigori Alexandrov
  Voice in the Cinema: The Articulation of Body and Space / Mary Ann Doane
  Technology and Aesthetics of Film Sound / John Belton
  Broadcast TV as Sound and Image / John Ellis
  IV. Film Narrative and the Other Arts
  Means of the Photoplay / Hugo Munsterberg
  Theater and Cinema / Andre Bazin
  Acting: Stage vs. Screen / Leo Braudy
  Dickens, Griffith, and Ourselves [Dickens, Griffith, and Film Today] / Sergei Eisenstein
  What Novels Can Do That Films Can't (and Vice Versa) / Seymour Chatman
  Adaptation / Dudley Andrew
  Narrative Discourse and the Narrator System / Tom Gunning
  Film Music and Narrative Agency / Jerrold Levinson
  Concept of Cinematic Excess / Kristin Thompson
  Godard and Counter Cinema: Vent d'Est / Peter Wollen
  'Trashing' the Academy: Taste, Excess, and an Emerging Politics of Cinematic Style / Jeffrey Sconce
  V. Film Artist
  Notes on the Auteur Theory in 1962 / Andrew Sarris
  Auteur Theory / Peter Wollen
  How Howard Hawks Brought Baby Up: An Apologia for the Studio System / Richard B. Jewell
  Face of Garbo / Roland Barthes
  Keaton and Chaplin / Gilberto Perez
  Stars as a Cinematic Phenomenon / John Ellis
  Role of the Star in Film History [Joan Crawford] / Robert C. Allen
  Female Stars of the 1940s / Molly Haskell
  Valentino and Female Spectatorship / Miriam Hansen
  "The Whole Equation of Pictures" / Thomas Schatz
  VI. Film Genres
  Genre: The Conventions of Connection / Leo Braudy
  Semantic/Syntactic Approach to Film Genre / Rick Altman
  Film Genre and the Genre Film / Thomas Schatz
  Movie Chronicle: The Westerner / Robert Warshow
  Ideology, Genre, Auteur / Robin Wood
  Film Bodies: Gender, Genre, and Excess / Linda Williams
  Feminist Frameworks for Horror Films / Cynthia A. Freeland
  Terror of Pleasure: The Contemporary Horror Film and Postmodern Theory / Tania Modleski
  Art Cinema as a Mode of Film Practice / David Bordwell
  VII. Film: Psychology, Ideology, and Technology
  Work of Art in the Age of Mechanical Reproduction / Walter Benjamin
  Cinema/Ideology/Criticism / Jean-Luc Comolli and Jean Narboni
  Identification, Mirror / Christian Metz
  Passion for Perceiving / Christian Metz
  Disavowal, Fetishism / Christian Metz
  Visual Pleasure and Narrative Cinema / Laura Mulvey
  Master's Dollhouse: Rear Window / Tania Modleski
  Aesthetic of Astonishment: Early Film and the (In)Credulous Spectator / Tom Gunning
  Colonialism, Racism, and Representation: An Introduction / Robert Stam and Louise Spence
  Black Spectatorship: Problems of Identification and Resistance / Manthia Diawara
  Digital Cinema: A False Revolution / John Belton
  End of Cinema: Multimedia and Technological Change / Anne Friedberg.