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Manifold mirrors : the crossing paths of the arts and mathematics / Felipe Cucker, City University of Hong Kong.
Bibliographic Record Display
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Title:Manifold mirrors : the crossing paths of the arts and mathematics / Felipe Cucker, City University of Hong Kong.
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Author/Creator:Cucker, Felipe, 1958-
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Published/Created:Cambridge : Cambridge University Press, 2013.
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Holdings
Holdings Record Display
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Location:MAA LIBRARY (IKB) stacksWhere is this?
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Call Number: NX180.M33 C83 2013
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Number of Items:1
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Status:Available
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Location:MAA LIBRARY (IKB) stacksWhere is this?
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Library of Congress Subjects:Arts--Mathematics.
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Description:x, 415 pages : illustrations (chiefly color) ; 26 cm
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Notes:Includes bibliographical references and indexes.
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ISBN:9780521429634 (hardback)
0521429633 (hardback)
9780521728768 (paperback)
0521728762 (paperback)
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Contents:Machine generated contents note: A.1. Martini
A.2. On their blindness
A.3. Musical Offering
A.4. garden of the crossing paths
1. Space and geometry
1.1. nature of space
1.2. shape of things
1.3. Euclid
1.4. Descartes
2. Motions on the plane
2.1. Translations
2.2. Rotations
2.3. Reflections
2.4. Glides
2.5. Isometries of the plane
2.6. On the possible isometries on the plane
3. many symmetries of planar objects
3.1. basic symmetries
3.1.1. Bilateral symmetry: the straight-lined mirror
3.1.2. Rotational symmetry
3.1.3. Central symmetry: the one-point mirror
3.1.4. Translational symmetry: repeated mirrors
3.1.5. Glidal symmetry
3.2. arithmetic of isometries
3.3. representation theorem
3.4. Rosettes and whirls
3.5. Friezes
3.5.1. seven friezes
3.5.2. classification theorem
3.6. Wallpapers
3.6.1. seventeen wallpapers
3.6.2. brief sample
3.6.3. Tables and flowcharts
3.7. Symmetry and repetition
3.8. catalogue-makers
4. many objects with planar symmetries
4.1. Origins
4.2. Rugs and carpets
4.3. Chinese lattices
4.4. Escher
5. Reflections on the mirror
5.1. Aesthetic order
5.2. aesthetic measure of Birkhoff
5.3. Gombrich and the sense of order
5.4. Between boredom and confusion
6. raw material
6.1. veiled mirror
6.2. Between detachment and dilution
6.3. blurred boundary: I
6.4. amazing kaleidoscope
6.5. strictures of verse
7. Stretching the plane
7.1. Homothecies and similarities
7.2. Similarities and symmetry
7.3. Shears, strains and affinities
7.4. Conics
7.5. eclosion of ellipses
7.6. Klein (aber nur der Name)
8. Aural wallpaper
8.1. Elements of music
8.2. geometry of canons
8.3. Musical Offering (revisited)
8.4. Symmetries in music
8.4.1. geometry of motifs
8.4.2. ubiquitous seven
8.5. Perception, locality and scale
8.6. bare minima (again and again)
8.7. blurred boundary: II
9. dawn of perspective
9.1. Alberti's window
9.2. dawn of projective geometry
9.2.1. Bijections and invertible functions
9.2.2. projective plane
9.2.3. Kleinian view of projective geometry
9.2.4. Essential features of projective geometry
9.3. projective view of affine geometry
9.3.1. distant vantage point
9.3.2. Conics revisited
10. repertoire of drawing systems
10.1. Projections and drawing systems
10.1.1. Orthogonal projections
10.1.2. Oblique projections
10.1.3. On tilt and distance
10.1.4. Perspective projection
10.2. Voyeurs and demiurges
11. vicissitudes of perspective
11.1. Deceptions
11.2. Concealments
11.3. Bends
11.4. Absurdities
11.5. Divergences
11.6. Multiplicities
11.7. Abandonment
12. vicissitudes of geometry
12.1. Euclid revisited
12.2. Hyperbolic geometry
12.3. Laws of reasoning
12.3.1. Formal languages
12.3.2. Deduction
12.3.3. Validity
12.3.4. Two models for Euclidean geometry
12.3.5. Proof and truth
12.4. Poincare model of hyperbolic geometry
12.5. Projective geometry as a non-Euclidean geometry
12.6. Spherical geometry
13. Symmetries in non-Euclidean geometries
13.1. Tessellations and wallpapers
13.2. Isometries and tessellations in the sphere and the projective plane
13.3. Isometries and tessellations in the hyperbolic plane
14. shape of the universe
Appendix: Rule-driven creation
Compliers/benders/transgressors
Constrained writing.