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• Title:[Brahms und Bruckner. English]
  Brahms and Bruckner as artistic antipodes : studies in musical semantics / Constantin Floros ; translated by Ernest Bernhardt-Kabisch.
  
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• Author/Creator:Floros, Constantin, author.
  
• Other Contributors/Collections:Bernhardt-Kabisch, Ernest, 1934- translator.
  
• Published/Created:Frankfurt am Main : PL Academic Research, [2015].
  

• Holdings

  Holdings Record Display

  • Location:MAA LIBRARY (IKB) stacksWhere is this?
    
  • Call Number: ML3845 .F5513 2015
    
  • Number of Items:1
    
  • Status:Available
    

   
• Library of Congress Subjects:Brahms, Johannes, 1833-1897--Criticism and interpretation.
  Bruckner, Anton, 1824-1896--Criticism and interpretation.
  Music--Germany--19th century--History and criticism.
  Music--Philosophy and aesthetics.
  
• Description:311 pages : illustrations, music ; 22 cm
  
• Notes:Originally published: Brahms und Bruckner : Studien zur musikalischen Exegetik / Constantin Floros. Wiesbaden : Breitkopf & Härtel, 1980.
  Includes bibliographical references (pages 289-307).
  Translated from the German.
  
• ISBN:9783631660348
  3631660340
  9783653053906 (ebook)
  
• Contents:Part one. Brahms and Bruckner : a radical historical, art-theoretical, and artistic contrast. Aspects and issues ; Art and personality ; The conflict ; Art-theoretical controversies ; On historical classification ; Parallelisms and antitheses ; The relation to historicism ; "Heirs" of Beethoven ; Parallelisms and antitheses once more ; Richard Wagner
  Part two. The unknown Brahms. Brahms : an autonomous composer? ; "Young Kreisler" ; Schumann's essay "Neue Bahnen" : a new interpretation ; Schumann and Brahms : Brahms' Schumann variations (op. 9) and Schumann's Davidsbèundlertèanze ; The piano variations op. 23 : a monument to Robert Schumann ; "Benedictus qui venit in nomine Domini" : on the "Mass quotation" in the Adagio of the Piano concerto op. 15 ; A special kind of father-son relationship
  Part three. The unknown Bruckner. Bruckner : "the most absolute of absolute musicians"? ; Bruckner and the program symphony ; On Bruckner exegesis : the "tone symbol of the cross" (Liszt) ; The program of the "Romantic" symphony ; The program of the Eighth symphony : musical semantics and historical contexts.