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Listening to Bach and Handel : a comparative critique / Joseph P. Swain.
Bibliographic Record Display
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Title:Listening to Bach and Handel : a comparative critique / Joseph P. Swain.
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Author/Creator:Swain, Joseph Peter, author.
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Published/Created:Hillsdale, NY : Pendragon Press, [2018]
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Holdings
Holdings Record Display
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Location:MAA LIBRARY (IKB) stacksWhere is this?
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Call Number: ML195 .S83 2018
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Number of Items:1
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Status:Available
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Location:MAA LIBRARY (IKB) stacksWhere is this?
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Library of Congress Subjects:Bach, Johann Sebastian, 1685-1750--Criticism and interpretation.
Handel, George Frideric, 1685-1759--Criticism and interpretation.
Music--17th century--History and criticism.
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Description:x, 583 pages : illustrations, maps, music ; 24 cm
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Series:Monographs in musicology ; no. 18.
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Summary:Listening to Bach and Handel is a work of traditional music criticism. It asks why these two German composers, born less than one month and 125 kilometers apart -- cultural twins -- could compose so differently from each other as well as their colleagues and yet both achieve universal acclaim the greatest exponents of the Baroque. Finding even partial answers to this question naturally deepens readers' knowledge and appreciation of their art, and thereby amplifies the experience of listening to it. I wrote the book especially for those who love the music of Bach and Handel of course, but because their work underlies in so many ways all the music that came after them, I wrote it for all lovers of music in the Western tradition. --Joseph P. Swain, from the Preface JOSEPH P. SWAIN is Associate Professor of Music, Colgate University.
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Notes:Includes bibliographical references and index.
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ISBN:9781576473139 (alk. paper)
1576473139
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Contents:Machine generated contents note: pt. I Introduction
ch. 1 Marvelous Synchronicity
ch. 2 Recovering the Critical Ear
pt. II Baroque Musical Language
ch. 3 Phonology, Syntax, and Semantics
ch. 4 Gifts of the Seicento: the Aesthetic of Music Drama
ch. 5 Gifts of the Seicento: Instrumental Drama
pt. III Bach, Handel, and Six Essential Concepts
ch. 6 Cantus Firmus
ch. 7 Dance
ch. 8 Ostinato
ch. 9 Cantilena
ch. 10 Fugue
ch. 11 Ritornello
pt. IV Music and Drama
ch. 12 Opera Seria
ch. 13 Passion
ch. 14 English Oratorio
ch. 15 Solo Sonata and Solo Concerto
pt. V Conclusion
ch. 16 Bach and Handel: Synchronicity and Freedom.